Afro-Synth

ANNA MWALE - African Song (1984)

2012-02-11T02:24:00.000-08:00

CBS, CBS3038
Producers: Charlie Boswic & Joe Kleindienst

One of Zambia's most famous music exports, Anna Mwale left the country in the 80s and has spent most of her time since then in Germany and the UK, performing and releasing all over the world.

African Song was her breakthrough and biggest album, with east and southern African vibes made more palatable for European audiences by slick synths, funky basslines and some Caribbean influences. At worst cheesy and overproduced, but with solid tracks like 'Kabuku Langa', 'Magic Sound' and a fun cover of the old classic 'Pata Pata', written by Dorothy Masuka and made famous by Miriam Makeba.

In an interview in 2009 with the Zambian Post, she tells of how 'Excuse Me' became an overnight hit in Spain and later east Africa, and how she lost most of her earnings in later years. More recently reports emerged of her being sent to hospital in Lusaka after being questioned by cops over the theft of 3000 chickens.

Check out this spandex-stricken video to one of her hits not on this album, 'I Can't Get Your Love'. Classic dance moves.

THE DALOM KIDS - Mathambo (1990)

2012-02-10T23:57:00.001-08:00

Gallo GRC, HUL40216
Producer: Daniel Tshanda
Engineer: Lee Short

Sweet album from Shangaan-influenced trio that started out backing Splash, similar to another supporting act turned popular girl group, the Chicco-produced Chimora. Song titles reflect a new sense of hope that apartheid would soon come a peaceful end - 'Our Heroes', 'Rulers Of Tomorrow' and 'Day Of Celebration'...

"The day of celebration is coming...
We must be ready for it,
By ending exploitation and injustice, Halala!
It's the day which everybody's waiting for,
And now belongs to us.
It will be the day of reconciliation,
There will be no complaints amongst us,
Forgiveness will be the order of the day,
Enemies will become friends."

MELVYN MATTHEWS - We Gonna Rock (1985)

2012-02-10T23:57:00.000-08:00

Priority, PRY1202
Producers: Al Etto & Greg Cutler
Engineers: Greg Gutler & Mick Williams
Remixed by: Humphrey Mabote & Greg Cutler

Fantastic 12" single of mid-80s disco typical of the Cape funk scene that laid the foundations for the impending bubblegum explosion. Matthews had already written Brenda's 'Weekend Special' a few years earlier and was now establishing himself as a solo star thanks mainly to his MJ-styled vocals, as were producer Al Etto and others like Neville Nash, Henry 'Supa Frika' Maitin and Lionel Peterson.

Over the years has shared a stage with the likes of Stevie Wonder and Percy Sledge. Based these days in Port Elizabeth in the Eastern Cape, Mr Matthews is still performing regularly.

The title track has vintage bubblegum synths that were imitated on countless occasions over the next five years, while B-side 'Don't Give My Love Away' is an even catchier disco gem.

ZAYN ADAM - The Voice (1988)

2012-02-10T23:56:00.000-08:00

Mountain/Templit, MOULP(Y)57
Producer: Tully McCullagh

Adam made his name fronting seminal 70's soul act Pacific Express. By the 80s he was selling himself as a crooner, with The Voice treading a dangerous line between Journey-style stadium rock (best track 'You Gotta Live', 'In The Moonlight', 'Lady in the Night' and a synth-heavy cover of 'House of the Rising Sun') and pure cheese that gives Barry Manilow a run for his money ('Il Mondo', 'Love, l'Amor, Die Liebe', 'Souvenirs', 'Oh Sweet Soul', 'I'm Losing You'). Also cashes in on the old Pacific hit 'Give A Little Love'.

Featuring top Cape Town talent like Rupert Mellor (piano), Robbie Jansen (sax) and Jonathan Butler (guitar) and produced by rocker Tully McCullagh.

RATAU MIKE MAKHALEMELE - Thabang (1990)

2012-02-10T23:43:00.000-08:00

Tusk, TUSK5
Producers: Ian Osrin and RM Makhalemele

"Alexandra-born Ratau Mike Makhalemele was inspired by the horn of his neighbour, Isaac 'Zacks' Nkosi and from there he embarked on a twenty-year music career that took him to various parts of South Africa and the world playing for kings and queens. Mike's first band was The Drive, which he co-founded with Henry Sithole in the seventies. In the band he played with one man who'd share his dream for a long time - Duke Makatsi. The two were part of that Cultural Resistance Festival in Botswana.

"Some of Mike's albums are New Dawn, Peacemaker, Reqiuem, Walking Spirit, Soweto Sunrise, Peaceful eyes, Searching for the Truth and his most popular album Thabang [Sotho for 'Rejoice'] featuring the hit 'Soweto Dawn'. In 1980 Mike arranged and produced Fela Kuti's 'Shakara' for the local market. Another unique project he embarked on was Mind Games: A Jazz Celebration of John Lennon (PVB, 1990).

"Among the visiting foreign stars that Mike backed in concert were the late gentle Curtis Mayfield and bluesman Champion Jack Dupree. He also travelled aboard to work with stars like Joe Henderson and Chick Corea, but his heart was always in South African despite the daily frustrations." (Mojapelo, 2008: 254-255)

JONATHAN BUTLER (1987)

2012-01-28T04:14:00.000-08:00

Zomba / Jive Afrika (HIPD1)
Producer: Barry J Eastmond
Mixed by Nigel Green & Bryan 'Chuck' New

"By the age of 13, Jonathan was the most popular young singing star in his home country. It was then that he first heard and developed his passion for jazz music, and started to work on perfecting his unique style of jazz guitar playing.

"At the time, Jonathan worked closely with two fellow South Africans, Clive Calder and Ralph Simon, who shared and encouraged his passion for American R&B and jazz music. In 1976, due to their disillusionment with the oppressive apartheid regime in South Africa, Calder and Simon emigrated to London. By 1985, they had founded the independent Jive Records label, and Jonathan had moved from South Africa to London at their invitation.

"In 1986, Jonathan's debut jazz guitar album Introducing Jonathan Butler was released, and quickly won respect and acclaim for the young virtuoso. Soon artists like Al Jarreau, Billy Ocean, George Benson and Millie Jackson recognised Jonathan's songwriting talent and recorded compositions by him.

"Later in 1986, teaming up with his multi-talented producer Barry Eastmond, Jonathan recorded the music for his second album. As there was simply so much good music recorded, the unusual decision was taken to release a double album with over 70 minutes of music, consisting of 11 songs featuring Jonathan's distinctive and emotive singing and 5 instrumentals that display his rare gift for melody and his African roots.

"Discover Jonathan Butler - a 25 year old musical veteran!"

Still going strong: JB at a recent performance in Joburg (copyright Afrosynth)

Also check out one of his earlier hits, 'I'll Be Waiting' (already in the Afrosynth library):

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SENSATIONS - Chapter 2 (1988)

2012-01-28T04:09:00.001-08:00

Eric Frisch, EFL1013
Producers: Tammy Moluli (Thami Mdluli)
Engineer: Les Goode
Recorded at: Grove Studios

Great album from little-known seven-man outfit (aka Sensation) produced by the prolific Thami "Professor Rhythm" Mdluli (credited here at Tammy Moluli). Nearly identical to other top bubblegum boybands like Splash and Sky Jinx, whose music consisted of walls of synths and rudimentary drum machines.

Songwriting credits are shared among all members (plus one): Zukile Macotoza, George Makobane, Noah Mashilo, Sello Mathiba, Malcolm Makume, Chris Kwela, Gerdes Khoza and Bassie Maseko. Formulaic for the time but still fresh today, 'Mita-Mita' features a catchy kiddies' call and response chorus. Other titles include 'Ninja', 'Get Busy' and 'A.I.D.S' - a warning from the earliest days of a pandemic that has gone on to claim millions of lives in Southern Africa, where stigma and misinformation about the disease still abound.

"There's a killer coming...
It doesn't care if you're a superstar,
It doesn't care if you're a fisherman,
A man or a woman,
A boy or a girl.
Aids is so dangerous.
Watch out!"

THE SOCCER BOYS - Follow the Birds (1985)

2012-01-28T04:09:00.000-08:00

Mankwane/DJ Music, MANR002

Team song for the Dube Birds aka Moroka Swallows, with a healthy dose of disco soul ala The Cannibals. Featuring live commentary In Zulu and Sotho. On the label of legendary guitarist Marks Mankwane of the Makgona Tsohle Band (Mahlatini & the Mahotella Queens).

LIONEL MARTIN PILLAY - October Magic (1984)

2012-01-28T04:04:00.000-08:00

Righttrack/RPM, RTL9003
Producers: Kevin Kruger & Lionel Pillay
Engineer: Keith Forsyth

One of many unsung jazz heroes, Lionel Pillay passed away in obscurity in 2003. Until then he'd proven himself to be one of SA's most skillful jazz pianists, performing and recording with the cream of the country's home-based jazz talent, both black and white. He paid the bills as a session player for the SABC, using the name "Lionel Martin" in the early days of TV in the late 70s and early 80s.

Here he drew on top mlungu musicians like guitarist Johnny Fourie, saxman Mike Faure and drummer Kevin Kruger. They put out jazz fusion led by Pillay's frantic psychedelic keyboard skills. It's a unique album compared to the mass appeal of the day's fly-by-night pop acts.

VA - Six Pak Maxi Hits (1986)

2012-01-28T04:03:00.000-08:00

Righttrack, RTL9019
Producers: Peter Moticoe & Mac Mathunjwa
Engineers: Sam Wingate & Tim Kraft
Recorded at: RPM Studios

Sweet six-track disco compilation featuring Ebony ('Take My Love') and Via Soweto ('Let Stay Together'); another subtle Mandela tribute 'Free My Man' ('Let Him Go') by The Angels; one-time singer for Stimela, Joy White ('I Love You'); the Ray Phiri-produced Cecil Mitch ('Farewell My Love') and an oddball rendition of 'Amazing Grace' by Afro-Wave.

BRENDA - I Am Not A Bad Girl (1991)

2012-01-13T22:05:00.001-08:00

CCP/EMI, BREN(V)91
Producers: Selwyn Shandel & Peter Moticoe
Recorded at: Shandel Studios & Digital Cupboard

By the early 90s Mzansi's most loved songbird had long left the Big Dudes behind. I'm Not A Bad Girl catches her between her early Chicco-backed solo success and her later kwaito comeback. Here she teams up with prolific producer Selwyn Shandel, who lends his own Eurobeat/proto-house style to the mix. Not her most memorable work, but interesting for being probably the album with the least local influence. Six of the 8 tracks are in English, although the biggest hit of the album was 'Ngiyakusaba' (I'm scared of you).

BARNEY RACHABANE - Blow Barney Blow (1985)

2012-01-13T22:05:00.000-08:00

Jive Afrika, HIPB8002
Producer: Hugh Masekela
Engineers: Nigel Green & Anjeli Dutt
Recorded at: Battery Studios, London.

Nine-track, mostly instrumental album recorded in the UK and released internationally. It's jazz-funk full of slick mid-80s studio FX not often seen from SA artists, similar to producer/composer Hugh Masekela's own albums from the same era, eg Techno-Bush. Featuring Bra Hugh and Sankomota's Tsepo Tshola among others. Titles like 'Streets Of New York' and a cover of Billy Ocean's 'Caribbean Queen' hint at the international flavour, while 'Pretoria' and 'Table Mountain' bring it back home.

"Saxophonist Barney Rachabane was born in Alexandra Township. His early performances were mainly with the late master drummer, Early Mabuza. He has worked with most of our great musicians like Abdullah Ibrahim and Hugh Masekela. Some of the major projects he was involved in include Hugh Masekela's recording in Botswana, the historic Cultural Resistance Festival, Caiphus Semenya's musical Buwa, the Info Song as well as Paul Simon's Born At The Right Time tour. He worked bands like Afrozania and Afro Cool Concept. Barney also did collaborations with Bruce Cassidy including the album Conversations. Some of the albums credited to him are Blow Barney Blow (1985), Barney's Way (1989), Afro Cool Concept in New Orleans (1990), Roots and Special Mama. Rachabane is so much in demand as a jazz musician that any major project is unthinkable without him. An example of that was his hand in Victor Ntoni's Mzansi Sings A Tribute To OR Tambo" (Mojapelo, 2008:256).

THE JAZZANIANS - We Have Waited Too Long (1988)

2012-01-13T22:04:00.002-08:00

Umkhonto/RPM, UMKH407
Producer: Darius Brubeck
Engineer: David Marks
Recorded at: Sound Crew Studio, KZN

Debut album of KZN-based jazz supergroup formed under the eye of Professor Darius Brubeck, son of Dave Brubeck, featuring young stars like sax and flute maestro Zim Ngqawana (who sadly passed away in May 2011, aged 52), Victor Masondo (bass), Johnny Mekoa (trumpet, trombone), Andrew Eagle (guitar), Nic Paton (sax), Melvin Peters (keys) and Lulu Gontsana (drums).

"The Jazzanians are the first nationally recognised band to emerge from the first university jazz course in South Africa (University of Natal, Durban). They were the first South Africans to perform at the prestigious National Association of Jazz Educators annual conference in Detroit (January '88) and during their trip to the US made their first TV appearances on NBC and CBS. Six originals and a tribute to Johnny's late mentor, Victor Ndlazilwana of The Jazz Ministers, suggest a rainbow of urban sounds from soul to marabi and of course the kind of jazz that says 'made in RSA'." More about them here.

FUNKY MASIKE - Back Forever (1988)

2012-01-13T22:04:00.001-08:00

Gallo GRC, HUL40156
Producer: Alec Khaoli
Engineers: Alec Khaoli & Colin Smith
Recorded at: Fireworks Studio

After leaving Afro-rock giants and bubblegum precursors Harari, guitarist and vocalist Masike Mohapi had solo hits with 'Standing On The Top' (1984), 'My Love Is Yours' and 'Ndoyenda' (1985), 'Babe', 'Hamnana' and 'Pimville People'. Most of his solo work was produced by Harari bassman Om Alec Khaoli.

Though he never quite reached his potential as a solo act, Funky's powerful vocals found many imitators. Back Forever is a solid effort full of catchy bubblegum numbers. Best track 'Yes I Love You' is smooth 80s R&B carried by a minimalist bass groove and Funky's soaring soul vocals.

JABU NKOSI - Back Home (1990)

2012-01-13T22:04:00.000-08:00

Umkhonto/RPM, KHON1046
Producer: Jabu Nkosi
Engineers: Humphrey Mabote & Fab Grosso

"Jabu Nkosi, son of the late and great Zakes 'Mr Kwela and Marabi Jazz' Nkosi grew up living and breathing the sweet, soulful music of his late father and other unforgettable musicians of decades past. Jabu was also part of one of the most famous bands of the seventies, The Drive, under the late David Thekwane's firm management. He has also rubbed shoulders with the likes of contemporary musicians such as Caiphus Semenya, Hugh Masekela and Letta Mbuli. This album features a re-working of the hit 'Skatana' (sung here by Nana), previously recorded with 'Mr Soul' Lucky Mbatha and the album has been strongly influenced by Jabu's work with The Drive and others. This is Southern African jazz at its finest! Enjoy the heart of Africa."

Featuring Nkosi on keyboards and percussion, as well as Haby Tswaedi (bass) and Madoda Mathunjwa (drums). Backing vocals by Ringo Madlingozi, Percy Kunene and Haby Tswaedi. 'Bhungezi' draws on the heavy synth-maskandi of Juluka, while 'Flybird' takes classic Sophiatown jazz and throws evil synths and funk fills into the mix.

Jabu also played in Sipho Gumede's band Peace and the reformed Sakhile. Other solo albums include Remembering Bra Zacks (1997). He passed away in 1999 (read The Guardian's obituary here). Skip to 4.05 of this video (or sit through Bra's Hugh's smoking live version of 'Ashiko') to check this keyboard king in action . . .

REBECCA - Thank You Very Much (1989)

2011-12-30T22:56:00.001-08:00

CCP/EMI, SLY(V)4064621
Producer: Sizwe Zako
Engineers: Wessel van Oudtshoorn (mixed by: Richard Mitchell)
Recorded at: Powerhouse Studios

Rebecca Malope hit the scene in the late 80s as a pint-sized and squeaky clean rival to Brenda and Yvonne. Her first albums were Rebecca (1988) and Woza Lovey (1989). She soon switched from bubblegum to gospel, where she continues to rule the local market today. Thank You Very Much catches her during that transition - with the 6-track album divided between typical late-80s disco beats ('Talk Talk', 'Missing You', 'Holiday Vibe') and the pop-gospel Reebs has made her own ('Izono Zam', 'Senzeni', 'Thank You Very Much').

PROPHETS OF THE CITY - Our World (1990)

2011-12-30T22:56:00.000-08:00

Kushushu/Teal Trutone, KVL1507
Producers: POC, Issy Arafdien, Lance Stehr
Recorded at: Home studios & Crucible Recording Studio, Cape Town

Mzansi hip-hop pioneers POC were started by Ready D and Shaheen Arafdien, and later featured Ishmael Morabe, Caramel and others. Shaheen's father Issy Arafdien, former guitarist for Cape jazz-funk act Pacific Express, produced this their landmark debut album. It was followed by Boomstyle (1992), Age Of Truth (1993) and Phunk Phlow (1995)

For years the crew (aka Prophets Of Da City) have toured the country, spreading positive hip-hop consciousness to hundreds of thousands of schoolkids. In 1992 they were invited by Quincy Jones and Caiphus Semenya to the Montreux Jazz Fest. In 1994 they performed at the inauguration of Nelson Mandela. Ready D was given Grandmaster status in 2010.

It's conscious hip-hop influenced by Public Enemy but with a more positive message and drawing on local influences like ghoema/vastrap ('Stop the violence), maskandi ('Roots') and rapping in Cape Flats Afrikaans (on 'Dallah Flat'). Album notes pay tribute to "The music of Dollar Brand that inspired us - let's learn to understand and respect each other's music." Amen.

SIPHO GUMEDE - Banana City Jive (1991)

2011-12-30T22:54:00.000-08:00

Kalamazoo/Sun Music, KMH1004
Producer: Sipho Gumede (exec: Rashid Vally & Eirfaan Gillan)
Engineer: RF Gumbi

Early solo album from bass maestro Sipho Gumede, also of Sakhile. Featuring Khaya Mahlangu, Mzi Khumalo and McCoy Mrubata on saxophones, Baba Mokwena on guitar, Barney Bophela (keyboards) and Kwazi Shange on drums. Banana City refers to Gumede's hometown of Durban. A far cry from The Boogie Man, this is high-brow, instrumental jazz that draws on old Sophiatown grooves and popular local wedding songs ('Here Comes The Bride', 'African Wedding'). It's a breath of fresh air - an album that gets better with every listen, unlike the relatively disposable bubblegum acts at the beginning of the 90s. Co-producer Rashid Vally was also behind Abdullah Ibrahim's classic 'Manenberg'.

The title track is a slow and steady groove; 'What's Your Name Girl' fuses local jazz with funky R&B and culminates in a stabbing synth solo; and 'Godfather Special' is another example of how Gumede could blend the old with the new.

BUDDY MASANGO - The Bridge (1990)

2011-12-30T22:53:00.000-08:00

CCP/EMI, CCP(V)1064
Producers: Gary van Zyl & Peter Vee
Engineers: Wessel van Oudtshoorn & Fernando Perdigao
Recorded at: Powerhouse Studios

For some reason country music has long enjoyed a following in Southern African, both American and local - particularly in the Afrikaans market. Musa "Buddy" Masango grew up in Bulandzeni in Swaziland, raised on gospel and the Soul Brothers. After school he fashioned himself as a country singer and performed at annual Swaziland International Trade Fairs, where SA sound engineers took him to Joburg to record.

He was still in his early 20s when he recorded The Bridge, the follow-up to his debut Buddy. More recently he put out His Name Is Jesus, apparently following Jonathan Butler's example. Besides making a name for himself as a country singer, he is also a notable prosecutor in Swaziland. Read a 2009 interview with him here.

Just because he's one of kind doesn't make the songs special, even as far as country goes. Buddy treads a fine line between serious performer and novelty act in a genre full of imported cliches - like on 'Where Do I Go From Here':
"Where do you go from here?
I don't like complaining but I could use a rest -
but my sofa and chair just got repossessed."

COYOTE - Who Is The Lord Of The House (1987)

2011-12-30T22:52:00.000-08:00

Gallo, BL606
Producers: Ray Chikapa Phiri, Lloyd Lelosa and Thapelo Khomo
Engineer: Dave Segal
Recorded at: RPM Studios

Tsietsi Daniel Nana Motijoane was born in Lesotho in 1955 and grew up in Sharpeville. He cut his teeth with soul acts the Black Five and Uhuru (later Sankomota) and had huge hits in the mid-80s with Ozila's 'Lifesaver (I'm Suffering)' and 'Take Your Love And Keep It', a timeless duet with Steve Kekana. Nicknamed 'The Wild Dog', he went on to join the mighty Stimela (three members of which produced this album), where his powerful vocals proved the perfect foil to Ray Phiri's.

Coyote's solo albums include Don't You Wanna Know Me, Vuka Zenzele (1989), Majaja (2003) and Mo Fe (2007). He passed away in June 2010, aged 55.

This four-track album serves up Coyote's special brand of Mzansi soul, with traditional Sotho and uplifting gospel touches. 'Malifatjana' is the most upbeat, driven by slick synths, horns and call-and-response vocals.

INDOD'ENGAZIWA - Silahlekelwe (1986)

2011-12-23T22:51:00.000-08:00

Daylight Beat/CCP, DB(O)4051031
Producer: Simon Ngwenya
Engineers: Jan Smit & Fernando Perdigao

Golden mbaqanga grooves from "the unknown man" - with rolling basslines, powerful vocals and smooth synths, best on tracks like 'Yini Ugangitsheli', 'Kodwa Senzeni' and 'Silahlekelwe' (we lost).

A note in isiZulu at the back reads:
"The hairy man with the long beard!! The person does not fall!! Who is this man? It appears he is in fact a Zulu. The unknown man is Simon Ngwenya, who was born on 29th November 1949. This young man is the leader of Abakhwenyana and composer of their songs. His hometown is Bergville. We trust that his fans will be very happy to know this secret that has fascinated a lot of people so much over the years. That's the truth!"

NOMUNTU & CHIMORA - Being Bitchy Is My Kind Of Fun (1989)

2011-12-23T22:50:00.000-08:00

Roy B/Dephon/Teal Trutone, RBL154
Producers: Sello 'Chicco' Twala & Attie van Wyk
Engineer: Adrian Hamilton
Recorded at: Sweet 16

"Sello Chicco Twala formed a female trio. On his We Miss You Manelo album one of the tracks, 'Rachimo', seems to have inspired the trio's name - Chimora. The group's members were Tiny Mbuli, Makie Motlaung and the late Tshidi Wildeman. Sometimes they were referred to as 'The Chicco Girls'. On an album simply titled Chimora the duo of Nomuntu Kappa and Mohapi Mashego fronted the trio. Besides Some More My Cherry the album also featured Daddy's Dead and Bad Boys. They featured Nomuntu Kappa on Being Bitchy Is My Kind Of Fun." (Mojapelo 2008:119)

Besides the big bubblegum hits 'I Wanna Know' and the title track, this album serves up gospel-pop on 'Save Me' and 'Power And Glory'. Best track 'Ricotamba' is Afrobeat-inspired house that showcases Chicco's skills.

Chimora's other albums include Mayibuye iAfrika, Intendane and Abafazi Abalile. They had hits such as 'Munwe Na Munwe', 'Romano', 'Ngangilambile', 'Africano Americano' and 'Eli Eli' . . .

OM ALEC KHAOLI - Sekuru (1987)

2011-12-23T22:48:00.000-08:00

Gallo/GRC, HUL40144
Producer: Alec Khaoli
Engineer: Alec Khaoli

Bass guitarist 'Om' Alec Khaoli first hit the big time in the 70s with Afrorock supergroup Harari (formerly the Beaters), along with Sipho 'Hotstix' Mabuse, Funky Masike Mohapi and others. When he went solo he took Donovan Knox to the USA to record 'Brown Sugar' (under the name Umoja) at A&M studios in LA. He later had a hit with 'U R The One', which was released in the US, Europe and Australia.

Om's other solo albums include Magic Touch (1982), Now! (1989), Everybody Needs Somebody (1991), Kiss Kiss (1996), Owe Owe (1998) and 2010's Musical Journey (a review of which can be read here). As a producer he also developed young artists like V-Mash, aka Jam Alley presenter Vinolia Mashego. (Mojapelo 2008:5-6)

Om's signature sound blends local grooves with funk and R&B and never shies from the latest synth sounds. It's catchy and slick, yet tastefully mellow. Best songs on Sekuru (grandfather) include the title track, 'Ska Ntswara' ("Your daddy is rich, you think I'm poor...") and the accordian-driven 'Come On Babe (UR Mine)'. Then there's the slow R&B ballads 'Part Time Lover (Take Your Love Away)' and 'Celebrate', the downtempo disco of 'Take Your Time' and the 45-second instrumental 'Tribute '76', in memory of the famous youth uprising in Soweto.

BLACK MOSES - M5 (1991)

2011-12-23T22:43:00.000-08:00

Soul Brothers, BMG 305
Producer: Black Moses Ngwenya
Engineer: Neville Holmes
Recorded at: Triple Six, Soweto & Powerhouse

Moses Ngwenya started with Soweto soul group The Crocodiles before joining the Soul Brothers in 1976. There he made a name for himself as arguably the most talented keyboard player in the land. Along the way he dropped solo albums every few years, starting with M1 and most recently M10 in mid-2011.

On M5 he lets his imagination run wild and his fingers do the talking. The 10 instrumental tracks on this album all consist of layers of synths and rudimentary drum programming. They draw influence from bubblegum and MJ's 'Bad' ('Croc World' ) to mbaqanga ('Togetherness') and classical orchestrations on 'Thethela' and 'Freedom Song', a fired up version of the soon-to-be national anthem 'Nkosi Sikelel' iAfrika'.

Check out this video of him in action alongside David Masondo in the mighty Soul Brothers:

CISCO THE CHAMP - Victory (1989)

2011-12-23T22:42:00.000-08:00

Gally GRC, HUL40181
Producers: Jabu Sibumbe & Lee Short
Engineers: L. Short, P. Pearlson, D Heilbrunn, F Grosso, Sim Wingate

After cutting his teeth as a backing singer, Cisco Mokoena dropped this solo album with the help of heavyweights like Don Laka, synthmaster Felani Gumbi, Kenny Mathaba (Malopoets) and Stimela's Jabu Sibumbe, Thapelo Khomo and Isaac 'Mnca' Mtshali. The boxing-themed Victory serves up vintage bubblegum grooves ('Stay Awake', 'Come Duze' and 'Fire') as well as sweet Bobby Brown-styled R&B soul on 'Love Heroes' and best track 'It's Raining In My Heart'.

CHICCO - Thina Sizwe Esimnyama (1989)

2011-12-16T07:25:00.001-08:00

Roy B/Dephon/Dust/Teal Trutone, RBL166
Producer: Sello Twala & Attie van Wyk
Engineer: Fernando Perdigao & Adrian Hamilton
Recorded at: Powerhouse & Sweet Sixteen

Starting out in the early 80s in Don Laka's group Image (later renamed Ymage), by the mid-80s Sello "Chicco" Twala had established himself as a bankable solo star and top producer, and went on to make his mark on bubblegum, kwaito and gospel. "Sello is one of those musicians who never turned a blind eye on the oppression of their people. As a prolific prophet he wrote controversial and somewhat ambiguous freedom sons that frustrated the merciless censorship machine of the state." (Mojapelo 2008:10-11). The most famous example of this was 'Miss You Manelo', a veiled tribute to jailed Nelson Mandela. By the late 80s he was leading Brenda Fassie in a new, more political direction, writing and producing Too Late For Mama (1989) and Black President (1990), as well as 'I'm Winning Mr Dear Love', a tribute to Winnie Mandela, for Yvonne Chaka Chaka.

Coming out around the same time as the better known Soldier, Thina Sizwe Esimnyama ("We the black nation") catches Chicco in his prime. The title track is a slow freedom song, while most of the album showcases his often imitated programmed bubblegum beats. 'Shigomase' is a rare foray into Afrobeat. His lyrics cut right to the chase:

"In America we fought for our rights,
In Zimbabwe we fought for independence,
In Namibia we fought for our freedom.
Where's our world?
Where's a black man's world?"
('Where's a Black Man's World')

"Two Africans back from America,
say they're no more African men.
Speak American, dance American,

It's a shame lord."
('Ma Africa')

Featuring local stars like Brenda Fassie (vocals), Bakithi Kumalo (bass), Oupa Segoai (percussion) and Mandla Masuku (sax). Keyboards by Arthur Mafokate, who was soon to become 'king of kwaito', and Thapelo Khomo, today the producer of contemporary queen Simphiwe Dana.

OSHAKATI - Fire (1987)

2011-12-16T07:25:00.000-08:00

CCP/Namibia/EMI, NAMLP(O) 4051701
Producers: Dougmore Malotana & Mally Watson
Engineer: Richard Mitchell
Composer: Dougmore Malotana

Power pop from synth grandmaster Madoda Malotona (Cheek To Cheek). This four-track album serves up classic bubblegum grooves with fresh melodies and stirring lyrics, best on 'Deadline', which throws some Juluka-style backing vocals into the mix.

"Ain't got time to beg for sympathy,
You told a lie the day you said you loved me.
Shake it, take it, break it tonight.
No matter how you see it, now I'm through.
Deadline tonight, I'm moving on,
Deadline tonight, now we're through."

"Madoda Malotana brought Suthukazi Arosi and Velaphi Mnisi together to form Oshakati. Their debut album Fire was dedicated to the people of Namibia from where they got their name. The album was written, produced and arranged by Madoda."
(Mojapelo, 2008:120)

LOLLY PETERSON - This is the Night (1985)

2011-12-16T07:21:00.000-08:00

Reamusic, 12RMJ(C)10
Producer: C. Anadiotis
Engineer: C. Anadiotis
Recorded at: Aerplay Studios

Smooth disco funk written by C Anadiotis and C Angepoulou and obviously influenced by Kool & The Gang's 'Let's Go Dancing'. Can't complain about the phat bass synths, vocoders and vibraphone solos.

"This is the night,
Gonna do your own thing, gonna have it all...

"Don't let the time be wasted
Don't let this moment go
The beat's there for the taking
Everybody wants to know...

"Let your feet move to the rhythm,
You will get back what you've given."

SATHIMA BEA BENJAMIN - Nomzamo: Mother Of The Nation (1988)

2011-12-16T07:20:00.000-08:00

Roots/Tusk, ROTM 002
Producer: Sathima Bea Benjamin
Engineer: Rudy van Gelder
Composer: Sathima Bea Benjamin
Recorded at: Van Gelder Studios, New Jersey

Sathima Bea Benjamin played a large role in getting SA music recognised along with her husband Abdullah Ibraham (Dollar Brand). The couple lived for decades in New York and Europe, returning to SA in the 90s. Their daughter is US rapper Jean Grae. On the three-track Nomzamo, Benjamin delivers some soulful jazz dedicated to the then-wife of Nelson Mandela.

"Winnie Mandela, beautiful and brave is she.
A symbol of courage to all who strive to be free.
We love her grace and dignity.
Beloved heroine is she.
She leads the way,
never showing doubts and fears.
Soft gentle eyes,
reflecting all those unshared tears.
The endless days, lonely nights.
All filled with tender sweet memories of him.
Their great love, she holds so dear.
Together, though torn apart.
She carries deep within her heart,
His dreams, her dream, their vision: peace and freedom for us all."

Q-TEX - Chickie / My Della (1987)

2011-12-16T07:19:00.000-08:00

On Record/WEA, ONM 005
Producers: Charles Sejeng, Julian Laxton, Ronnie Robot
Engineer: Paul Hughes
Recorded at: Syntrax

Following Chicco's example, this is another great example of pop musicians side-stepping censors by a subtle change in lyrics at a time with mentioning Mandela's name would get a song banned.

"My Della, the children want you, the children need you."

"Charles was the producer who had discovered Katlehong's Dee Dee Antonio and recorded her 1987 mini album Confusion on the On Record label. His voice will always be remembered for the hit 'Mashonisa'." (Mojapelo 2008: 155)

NEVILLE NASH - Diamonds & Pearls and Solid Gold (1982)

2011-12-10T11:27:00.000-08:00

Nash/Cartridge Television, NALP(L)3317B
Producers: Glynn Storm & Roy Carter
Engineers: Philip Nel, Peter Thwaites, Greg Cutler, Glen Pearce, Pete Walsh
Recorded & mixed at: Wembley Sounds, Audio International, Abbey Road, Townhouse (London), EMI, Satbel

Great album from one of SA's favourite soulmen, sponsored by a popular jewellery chain. "Cover notes for an album of this quality are easy to write, two words would suffice - 'JUST GREAT' ...

"After Cape Flats son Neville Nash and his band The Miracles parted ways, he went solo. By 1985 he had a big hit, 'One Of Those Nights', which was later included in the Concert in the Park double album." Other albums included What's Your Name, What's Your Number? and Why? (1986). He also co-wrote the music of African Image," with Glen/Glynn Storm, this album's producer. (Mojapelo 2008:67).

Featuring some classic oldschool disco-funk on numbers like 'Love Deep', 'Give Me The Love', 'Wind Me Up' and the title track, and some solid reggae vibes on 'Friday Morning'.

UTHANDO - Sengithole I (New Love) / Muti Man (1984)

2011-12-10T11:24:00.000-08:00

CTV/Roi/EMI, 12CT(C)63
Producer: Tom Mkhize
Engineer: Philip Nel
Recorded at: EMI Studio

Synth-pop featuring unknown musicians and mystery mlungu frontwoman. Afrocentric but with a too-slick international flavour, like it was made with that audience in mind. B-side 'Muti Man' is on a similar outsider-looking-in tip, with lyrics like 'Oh sangoma, throw your bones tonight'.

Produced by Tom Mkhize, who a few years earlier had teamed up with Glen Storm to release the early crossover album Roots (Izimpande) under the name of African Image, a similar "studio group ... producing a laid-back, emotional blend of ethnic African rhythms and jazz" (Chilvers & Jasiukowicz, 1994:1). That album was somehow picked up by US-based avant garde jazz label Gramavision Records and re-released in the US in 1984 with a different cover. Mkhize also worked with Neville Nash and Sibusiso Mbatha (of Abangani).

LITTLE BIG MAN - So Where To? (1989)

2011-12-10T11:22:00.001-08:00

On Record, ONH 112
Producer: Themba Mawelela & Selwyn Shandel (exec: Ronnie Robot)
Engineer: Selwyn Shandel
Recorded at: Shandel Music Studios

Funky late 80's bubblegum with heavy synthwork, programmed beats and husky vocals somewhere between his labelmate Mafika and pint-sized growler Sox. Themba Mawelela was a prolific producer in the On Record stable, working with Neo "The Boss" Maphaka (form CJB) and Lady Thuli. He also went by the names "Sometimes" and "Little Big Man'. His other solo releases include Diponpone (1990).

Lyrics on So Where To? (ie. "Soweto") range from the usual love ('Give Me Your Love' and 'I'll Take You There', which lifts straight from Sipho 'Hotstix' Mabuse's classic 'Burnout') to social stigma ('Pink Man': "No no, you're no fool, no no, you're just pink") and employment on 'I Won't Give Up':
"I've been searcing for a job in the big city,
They said to me, there is no job.
I've got to get back home and tell them bad news."

XILEMBE - Ncilo Ncilo (1989)

2011-12-10T11:22:00.000-08:00

Tops/Cool Spot/EMI, TOPS(V)1
Producer: Mally Watson (exec: Ken Haycock)
Engineer: Richard Chauke
Recorded at: Cool Spot

Debut album of Shangaan group Xilembe ("courage") led by Richard Chauke and featuring Tshidi Mokwena and Jerry Sibanyoni. By their second album, Maxango, Sibanyoni had left the group to join bubblegum act Volcano. Both albums went gold. Chauke was the backbone of the group and later was himself known as Xilembe.

After Mokwena went solo in 1991, Chauke kept going, releasing the Venda album Dobana Domba with Tusk. In the 90s he tried his hand at competitive motorbike racing before putting out Xilembe's fourth album, Makhanani, in 2000. Over the years he often worked with another Cool Spot prodigy, Mdu Masilela, first of MM Deluxe and later a solo kwaito star. Ncilo Ncilo has a similar late 80's house-influenced pantsula beat, best on tracks like 'Hahomakole', 'Mad Joe' and 'Mthabeni'.

THE WINNERS - Let's Go (1987)

2011-12-10T11:21:00.000-08:00

CCP, CCP(V) 4061731
Producer: Selwyn Shandel
Engineers: Paul Hughes, Fred Woods & Selwyn Shandel
Recorded at: EQ Studios (mixed at Syntrax Studios)
Digitally remastered by Fernando Perdigao at Powerhouse Studios

The Winners were the personal project of prolific producer Selwyn Shandel, who composed, arranged, produced and co-engineered this album, as well as handling all keyboards and programming, and providing vocals on two of the tracks. Soul heavyweight Lionel Peterson sings on the other four songs, while Condry Ziqubu provides "rave Zulu vocals" on 'Simamele', which also features the pennywhistle skills of the inimitable 'Big Voice' Jack Lerole. Backing vocals by the likes of Henry 'Supa Afrika' Maitin and Deborah Fraser.

The first side is funky Eurobeat with minimal local influence on 'Let's Go', 'Super Love' and 'Match Maker'. B-side is better with a stronger local flavour. 'Madubane' is a tribute to Jean Madubane, the popular backing singer who featured on Harry Belafonte's Paradise in Gazankulu and whose life was cut short in a car accident during Stimela's Unfinished Story tour, along with Peter Kunene and Askley Subel. 'Ipele ipetrol' and 'Simamele' (we are listening) end the album on a high note.

CHEEK TO CHEEK - Total Freedom (1991)

2011-11-26T10:39:00.000-08:00

Roy B / Teal, RBL188
Producer: Madoda Dougmore Malotana
Engineer: Lee Short
Composer: Dopla Malotana
Recorded at: Downtown Studios

Cheek To Cheek were one of the most popular bubblegum acts of their day. Though arguably past their prime by the time they put out the gospel-tinged Total Freedom, the album still has catchy numbers that show off the superior skills of Dougmore Malotana (keys) and Phumi Maduna (vocals) on tracks like 'Champion', 'Never Give Up' and the title track:

"Everybody, it's never too late to learn. Everybody shall share.
Every day and night we are hoping our dreams will come true one day.
All we need is total freedom, just a peace of mind.
We don't want to succumb...
Life is gonna be bright when we share it, and I know we can make it for sure.
We don't want to die, we ain't gonna give up, we wanna reach out."

"One of the most powerful duets of the eighties was a hit machine called Cheek To Cheek. Its key members were keyboard magician Dougmore Madoda Malotana and singing sensation Phumi Maduna. Before he met Phumi, Madoda was playing for Johnny Clegg and Sipho Mchunu's might crossover band Juluka." (Mojapelo 2008:120)

Dougmore is the brother of Desmond Malotana, the keyboardist in Brenda's backing back, the Big Dudes. Phumi and Brenda were also close friends. Though Cheek To Cheek aren't as well-known today, at one stage they were seen as Brenda & The Big Dudes' closest rivals.

"Their debut album So Good, So Nice was released in 1984 on CCP's Bullet label. It was produced by Mally Watson and all the tracks were written by Madoda. They played almost the same music as that of Brenda and The Big Dudes, but with a dominating and stinging keyboard. Their albums were One More Try (1985) and Can't Buy Love (1986). (Mojapelo 2008:120)

MELVYN MATTHEWS - Six Days A Week (1989)

2011-11-26T06:29:00.000-08:00

Shandel Music, 12SHAN(A)1
Producer: Selwyn Shandel
Engineer: Selwyn Shandel
Recorded at: EQ Studios, JHB

Coming on like SA's answer to Billy Ocean, Mr Matthews delivers catchy synth-pop with no local influence, right from the American radio DJ intro. The 8:30 minute 'Boogie Mix' of the track is one for the b-boys. B-Side 'No Power (ain't ever enough)' is holy gospel with evil synths - enough to scare censors from the political lyrics:

"Read about it in the papers,

See the writing's on the wall.

Just like humpty dumpty, the wall's about to fall.

Go take a brother's hand.

Let him know you understand."

"Melvyn Matthews is the hitman who wrote Brenda Fassie's 'Weekend Special' in 1983. He also wrote his own songs like 'Don't Give My Love Away' (1994) on Priority Records' Reaction label, produced by Al Etto." (Mojapelo, 2008: 69-70)

VA - Loud and Proud (1988)

2011-11-26T06:28:00.000-08:00

EMI/Radio5, EMCJ (V) 4063791

Great compilation album of some of the best white SA pop acts from the 80s put out by Radio 5, formerly LM Radio, now 5fm.

Side A:
1. 'I Call Your Name' - Johnny Clegg and Savuka

2. 'Weeping'- Bright Blue

3. 'Angel Fish' - Jennifer Ferguson
4. 'Real World' - Wendy Oldfield
5. 'Teddy Bear' - The Spectres

Side B:
1. 'Inside and Out' - Cinema

2. 'Hey Baby' - Wooden Idols
3. 'Hold On' - Passengers
4. 'Rock the House' - Beat the Clock
5. 'Nada' - Steve Newman
6. 'Monster From The Bog' - Psycho Reptiles

WILLIE & PAUL - Umakoti ka Themba (1982)

2011-11-26T06:27:00.000-08:00

CCP/EMI Brigadiers, JPL(E)4012
Producer: Tom Vuma
Engineer: Philip Nel

Willie Molala and Paul Hlatshwayo put out Azanian soul similar to early Steve Kekana albums by the same producer. Pounding kickdrums, intricate guitarwork and sizzling synths on tracks like 'Umalokazana' (daughter-in-law), 'Yeka Utshwala' (give up the booze), 'Phantsi Olwandle' (down by the ocean) and the title track (Themba's bride), while the Vuma-penned 'Khosi' (chief) brings on the funky stuff.

"The duo Willie and Paul is another success story of the blind in the history of South African music. Originally from Mokopane in Limpopo, they took the local music scene by storm. By 1982 they were the talk of the town. Their hits included 'Umakoti ka Themba', 'Ho Bohloko Joang', 'Ho Tseba Modimo Fela', 'Ke A Ho Rata', 'Khosi', 'Khutla Mantwa', 'Nyalanang', 'Moipone' and 'We Love It'. The duo was also at one stage under Steve Kekana's producer, Tom "Big T" Vuma... one of the most dynamic producers in South Africa." (Mojapelo 2008:32)

HANZ - Talking Hands (1989)

2011-11-26T06:26:00.000-08:00

On Record/Tusk, ONH111
Producer: Fred Woods (exec: Ronnie Robot)
Engineer: Fred Woods
Recorded at: Cottage Recording Studios

Producer/engineer Fred Woods was another regular player in the On Record stable, working on albums by Sugar & Spice and a host of others. Here he teams up with Ronnie Robot, former bassist of rock stars Rabbitt, for this instrumental album of sweet bubblegum synths.

The titles are worth a laugh and give a hint at the variety in sounds: 'Talking Hands', 'Hands', 'Shake A Hand', 'Handyman', 'Nailbite' and 'Fingers'. It may lack vocals and sound like a sales catalogue for late-80s keyboard FX but surprisingly, it's all good.

GEORGE FENTON & JONAS GWANGWA - Cry Freedom (1987)

2011-11-18T12:27:00.000-08:00

MCA/Tusk, LMCA 6224
Producers: George Fenton & Keith Grant
Engineer: Keith Grant
Recorded at: Abbey Road, CBS & Twickenham Studios, London

Soundtrack to the 1987 film about Black Consciousness leader Steve Biko, played by Denzel Washington. Written by prolific British composer George Fenton and Mzansi jazz icon Jonas Gwangwa, who led the ANC's cultural arm Amandla in exile. Also featuring UK-based heavyweights like Lucky Ranku, Dudu Pukwana and Bheki Mseleku, as well as British synth-man Ken Freeman.

Nominated for a Grammy in 1988 as well as for Oscars for Best Score and Best Song for the title track, which Gwangwa performed live at that year's ceremony. The music is a powerful blend of Eno-esque orchestration, mostly mellow and moody, with some old-time South African jazz (on tracks like 'Shebeen Queen'). Highlights include a version of the then-banned anthem 'Nkosi Sikelel' iAfrika' sung by Thuli Dumakude.

Director Richard Attenborough writes: "Jonas has brought to the soundtrack a veracity and vividly African flavour which conveys a unique feeling of place and mood. This George has transmuted into a music track which is wonderfully accessible to a non-African ear. Their collaboration has been remarkably successul, resulting in what I consider to be the finest film score George Fenton has ever written."

DAVID THANZWANE - Miyela (1986)

2011-11-18T12:07:00.000-08:00

Decibel, DCK(A)76
Producer: Keith Forsyth
Engineers: Jerry Mhlanga, Chwane Mhlongo, Lot Chambale

Both tracks on this album, 'Miyela' and 'Nixisiwana', are vintage bubblegum with tasteful synths.

Besides lyrics in xiTsonga (and English), there's none of the frantic beats and vocals usually (and still) associated with Shangaan disco.

Composer/Engineer Jerry Mhlanga produced 90s heavyweights Bayete's debut album Blue Monday (1984) on the same label, led by Jabu Khanyile and featuring members of Sakhile.

LYNNETTE LEU - Star Driver (1985)

2011-11-18T12:05:00.000-08:00

Hit City/EMI, 12HC(C)502
Producers: Jimmy Mojapelo & John Galanakis
Engineer: John Galanakis
Recorded at: Double A

Two-track maxi with 100% programmed beats except for Lynette's sax skills. Repetitive but catchy disco with obvious US and European influences.

"Lynette Leeuw was a saxophonist from the early 1960s to her death in the mid-1990s. A member of an all-women singing troupe, the Randfontein Dolls, based at Radio Record Company, she was introduced to the saxophone by Christopher Songxaka. After a two-hour saxophone lesson, Songxaka decided to record Leeuw, and the song sold 11 000 copies the day it was released.." (from Women Marching Into The 21st Century: Wathint'abafazi, Wathint'imbokodo. HSRC, 2000:152-153)

"'They took me and showed me how to play an alto saxophone. They made me practice the instrument for two hours and the following day a studio was booked for recording'. That debut - Girls Can Blow - gave Riviera Studios a hit. But Leeuw confounded her exploiters by later enrolling at FUBA, genuinely mastering her instrument and, from the early 1990s until her death in 1997, leading an all-female group: Basadi - Women of Jazz." (from G Ansell, Soweto Blues: Jazz, popular music and politics in South Africa. Continuum. 2005: 294)

Producer Jimmy Mojapelo, also an author and comedian, produced others like Corrine Morgan, Moss Tladi, Sandra Senne and gospel groups Rehauhetswe Choir and Hosanna Ea Pele. "Most of us will remember him for his association with singing sensation Kora Moraba and the band Black Five, both having ruled the airwaes in the eighties." (Mojapelo, 2008:19)

LUIS MOREIRA - African Fiesta (1990)

2011-11-18T12:02:00.000-08:00

Gallo GRC, HUL 40212
Producers: Alan Rissik & Luis Moreira
Engineer: Darryl Heilbrunn
Composer: Luis Moreira
Recorded at: RPM Studios, Joburg

Mzansi jazz-pop by a trumpeter known for his session work for the likes of PJ Powers. It's a tricky combination that doesn't hold a candle to Hugh Masekela, but its still notable for its multiracial players and latin influence. Tracks like 'Cross Your Heart', 'Soweto Groove' and 'Brass is Beautiful' are heavy on the synths, while the title track and 'Mozambique' show off the Latin vibes.

Featuring drummer Isaac Mtshali (The Cannibals, Stimela) and bassman Bakithi Kumalo, who appeared on both Paul Simon's Graceland and Harry Belafonte's Paradise In Gazankulu, as well as eVoid's classic 'Taxi Man' and with international acts like Herbie Hancock and Chaka Khan.

SYLVIA GREEN - Party Music (1986)

2011-11-18T11:59:00.000-08:00

Hope, 12HOPE(C)114
Producers: Kaloi Lebona & Monty Bogatsu
Engineer: Fabrizio Grosso

Disco single featuring the likes of Al Etto (percussion), Monty Bogatsu and Kaloi Lebona (guitars), the man credited with discovering Brenda Fassie. Synths by Lindsay Best. Good vibes and wicked synths but seems unnaturally slow. Push up the tempo and it gets better - that's why we love vinyl!

"Play some party music,
Play some funky music.
Let its magic turn you on..."

LADYSMITH BLACK MAMBAZO - Shaka Zulu (1988)

2011-11-12T12:01:00.000-08:00

Warner Bros / Gallo GRC,    HUL 40157
Producer: Paul Simon
Engineer: Roy Halee
Composer: Joseph Tshabalala

South Africa's greatest musical export, LBM first travelled to Germany in the early 80s. Shortly after appearing on the influential Irresistable Beat of Soweto compilation in 1985 they helped Paul Simon make Graceland the following year. Simon returned the favour, producing their next three albums and ensuring international stardom.

Shaka Zulu was the first of these and earned the group a Grammy for Best Traditional Folk Recording. Besides his name, it's doubtful Mr Simon could've offered much to the the smooth acapella grooves of LBM's brand of isicathimiya. Featuring classics like 'Rain, Rain, Beautiful Rain', 'How Long?' and 'Hello My Baby'.

GWEN BRISCO - 50/50 Love (1983)

2011-11-11T23:11:00.000-08:00

Transistor/Moose Elbow, 12CBK(C)5004
Producer: Adrian Strydom
Composer: K Dyson-Oliver

This American-born singer and dancer performed in over 50 countries all over the world, including SA at a time when overseas artists felt increasingly compelled to boycott touring due to apartheid. Though perhaps better known for her legs and her cover versions, she put out several albums of her own.

50/50 Love is a disco single from 1983, the same year Brenda & The Big Dudes' similar 'Weekend Special' ushered in the bubblegum era. Interestingly, Gwen did a cover of 'Special' on South African TV - some of which can be seen on a video from her suitably oldskool website, along with clips of her playing in Swaziland and the puppet state of Bophuthatswana, to both black and white audiences (from 3min35). Also look out for covers of MC Hammer and Foreigner.

Produced and arranged by Adrian Strydom, who was behind multiracial act Friends First a few years later. The album has three versions of the song - including a 3 minute radio mix and a six-minute 'instrumental mix' that lifts straight from Instant Funk's '79 hit 'Got My Mind Made Up'. Gwen went on to release 'They Let Mandela Go' in 1990, with the production team of Chris Ghelakis and Marvin Moses (Winnie Khumalo, Walk This Way, Dr Victor).

CASINO - Number T (1988)

2011-11-11T23:02:00.000-08:00

MFM/Teal, FML1023
Producers: Bones Brettell, Bernie Millar & Godfrey Nzuza
Composer: S. Mshazi

The follow-up to 87's Gambling, the title of this album was a reference to the old Transvaal number plates. Now down to a six-piece, liner notes dedicate the album to "Bongani Nkwanyana the founder of the band and Barney Bophela who is always with us". Ranging from frantic bubblegum on 'Move Wamina', 'Stay Away' and the title track to the Eurobeat stylings of 'Please Don't Go' . Best track 'Mapule' slows down the disco to a pre-kwaito beat with a lovesick dedication to "the Banana City" of Durban, while 'Open Up Your Mind' addresses the political situation:

"We've got to open our minds wide.
Let's all open our minds now.
We've got to find a solution,
and make a new generation...
How long will it take us to realise,
that we don't need all these walls between us?
We've got to build a new generation
on a love and peace foundation...
We should pray for peace and harmony.
Love and peace will lead us to happiness,
Happy families make happy communities,
Happy communities make happy nations,
Happy nations makes a happy country,
And a happy country is all that we pray for."

THE SCORERS - Usuthu (1986)

2011-11-11T23:01:00.001-08:00

Heart of Africa/Artbeat/Gallo GRC, XAL134
Producers: Shaun Herbert & Don Clark
Engineer: Shaun Herbert
Composer: Christopher Faya

Promotional album for Amazulu Football Club written by Durban musician Christopher Faya. The imaginatively titled 'Amazulu Song' is fun and slickly produced. Corny lyrics like "This game is ours. We gonna take it. We gonna win this match. We gonna win. Yeah, yeah, yeah" are done away with on the dub 'club mix' of the track, while 'Dons' Amasokisi' offers more good vibes on acoustic guitar.

TALENT - Everybody Come Lets Dance (1985)

2011-11-11T23:01:00.000-08:00

Sound Rays/Minc/EMI, 12XBOW(C)167
Producer: Talent
Engineer: Bobby Summerfield
Composer: Godfrey Nzuza
Recorded at: The Workshop

Sweet early bubblegum jam from Godfrey Nzuza, the man later behind big acts like Casino, Mr Chaklas, Zone 3 and Mercy Pakela.

Engineered by Bobby Summerfield, who before relocating to the US was part of the South African Hi-NRG act People Like Us, who found brief stardom in Europe with their 1987 album Deliverance.

"You've got the feeling and I know it's right.
You've got the meaning and I know it's time.
Up on the ceiling flash the disco lights.
Don't stop the feeling,
cos what you think is right.
Just get up and dance, I think it's your chance.
Just stand up and dance, you'll feel it's romance."

Afrosynth X: Winner Takes All

2011-11-02T04:51:00.000-07:00

1. 'I Know You Feel It' - Kumasi (1983)
2. 'Wa ikgona' - Black Five (1983)
3. 'I Don't Wanna Leave Africa' - Thembi Mtshali (1986)
4. 'I Won't Let You Down' - Sandile (1986)
5. 'Pula Ea Tla' - William Mthethwa (1989)
6. 'Crying In The Night' - Juicy II (1986)
7. 'My Brother (Mfowethu)' - Sabela (1988)
8. 'Try Your Luck' - Denis Yekani & The Movement (1985)
9. 'Don't Play With Love' - Little Lenny (1985)
10. 'Super Love' - Sunset (1986)
11. 'Jamming In The Sunshine' - Casino (1987)
12. 'Georgina' - Danny Mashinini (1990)
13. 'Cheeky lady' - Vibe Talk (1985)
14. 'Winner Takes All' - The Rose Of Soweto (1991)
15. 'O Nketsang' - Rex Rabanye (1986)

FREE DOWNLOAD!!

THE RASTA KIDS - featuring "Eyes See" (1984)

2011-10-29T00:34:00.000-07:00

Mankwane/DJ music, MAN4001

Early Mzansi reggae from the label of legendary guitarist Marks Mankwane of the Makgona Tsohle Band. Like Lucky Dube's first reggae releases from the same time, the songs favour rudimentary synth FX and uptempo Japanese drummers over straight-up skanking.

Highlights include the reggae soul of 'Greener Pastures', the ska-influenced 'Don't Take a Chance' and 'Eyes See'...
"I'm a Rastaman and I got to respect my dreadlocks.
I never have time to comb my hair,
I kick off the blankets and get out on the streets..."

STEVE KEKANA - Ngiyadlisa (1986)

2011-10-29T00:33:00.000-07:00

Gallo/GRC, STEVL1009
Producers: Steve Kekana, Charlie Rakgwale, Eddie Mathiba
Engineer: Sam Wingate

Another release from one of Mzansi's most prolific and finest voices, at a time when he had already enjoyed substantial crossover and international success. "This album was made especially to wipe out tears from my fans who have been waiting anxiously and already thinking that I will never make another Zulu album."

File under Mbaqanga - it's filled with driving basslines and Soul Brothers-inspired keyboard riffs courtesy of Eddie Mathiba. Other musos on board were Charlie Ragwale (Lyn drum programming), Baks Radebe (guitar), Professor Mhlanga and Jantshi Mayo (bass), most of them regulars in Bra Steve's backing band, The Pages.

TIG435 - Khombora Mina (1991)

2011-10-29T00:32:00.000-07:00

Tiger/RPM, TIGLP435
Producer: Humphrey Mabote
Engineers: Isaac Matobela, TJ Mosia, LB Rhikhto
Recorded at: RPM

Arguably the only band to be named after the serial number on their album, TIG435 served up distinctive frantic Shangaan beats and rolling synths in the style of Splash, the Dalom Kids or Joshiba. Highlights include 'Makoti', the title track and 'Gimba'.

JUICY II - Crying in the Night (1986)

2011-10-29T00:31:00.000-07:00

Raintree/Teal, CEX 8010
Producers: Peter Pearlson & Hendry Koetzee

Sweet bubblegum jam giving free rein to face-melting synths - more obvious on the B-side dub, which dumps the moody lyrics of love gone bad . . .

"I'm walking lost and lonely,
and thinking crazy thoughts.
Is there really someone else?
I've paid the price, but it's grief I've got.
Don't you know I'm crying in the night?
I can hear the door slam tight...
Don't you know I'm crying out in vain?
Will you ever be back again?
I can see you lying in his arms,
I can't remain calm...
Can't you hear me crying in the night?
I hear the people talking, but they don't know the truth.
They say I treat you badly, but it's me who's feeling grief."

SANDILE - Uzuthuzweni (1986)

2011-10-29T00:30:00.000-07:00

Teal, XPD 2479
Producer: Ray Phiri

Another member of the extended Stimela family, Sandile Ngema took over briefly from Jabu Sibumbe on bass in the early 90s. (Mojapelo 2008:138). On Uzuthuzweni, produced by Chikapa himself, Sandile penned 'I Won't Let You Down' and 'Give Me, Give Me' - both hot disco funk with that magic Stimela touch. 'Hold Me Close' slows things down but still offers some piercing synth solos.

STEVE KEKANA & PJ POWERS WITH HOTLINE - Feel So Strong (1983)

2011-10-22T13:18:00.000-07:00

MFM/Gallo, XPD 2128
Producers: Bones Brettell, Greg Cutler & Alistair Coakley
(executive producer: Mike Fuller)
Engineer: Greg Cutler
Arranger: Hotline

Classic early bubblegum track - a duet by a black man and a white woman that tested the apartheid censors at the SABC. In the days of the Immorality Act, such relationships - or hinting at them through song - were illegal. Lyrics like "Your love has made me feel like I belong" had to be changed to "your help has made me feel like I belong" for the song to be played on radio. And photos of Steve and PJ holding hands above their heads were cropped to show no touching. If that was enough to get the censor's worked up, they wouldn't have been impressed by the B-side "Rap Version" of the same song, which has PJ cooing "Touch me, feel me... we can make it, feels so good... I want you so bad," even though Steve doesn't feature. Sure enough, five years later PJ was banned by SABC TV and radio for a year.

Check out this video of the way things were - filmed and televised during Hotline and Steve's mid-80s tour to Scandinavia, where the song was a hit - along with Steve's other early English tracks like 'Raising My Family' . . .

SANKOMOTA - The Writing's On The Wall (1989)

2011-10-22T13:16:00.000-07:00

Flame/CCP, FLAME(V)4064631
Producers: Frank Leepa & Tsepo Tshola
Engineer: Fab Grosso

Another long-time institution of SA music, Sankomota blended jazz, soul and pop to create timeless, sophisticated tunes that could've been put out yesterday. Formed in Lesotho by Frank Leepa, Moss Nkofe and Tsepo 'the Village Pope' Tshola, who was part of Hugh Masekela's Botswana-based band Kalahari.

"While in London with Hugh Masekela, Tshola met Julian Bahula (Malombo) who encouraged him to bring Sankomota to England. Subsequently Sankomota stayed for a long time in England, performing and developing their product. Some of their albums are The Writing's On The Wall, featuring Tsepo's composition 'Papa', and Exploration - A New Phase (1991) featuring yet another Tshola composition, 'Stop The War'." (Mojapelo 2008:214)

DENIS YEKANI AND THE MOVEMENT - Save Your Last Dance For Me (1985)

2011-10-22T13:15:00.000-07:00

Transistor/EMI, 12CBK(C)5018
Producer: Sidwell Duda
Engineers: Phil Audoire & Keith Forsyth
Recorded at: Ovation & Delarey Studios

Monwabisi Denis Yekani would go on to form the massive pre-kwaito duo Monwa and Sun on the Cool Spot label. Before that he put out this sweet synth-soul maxi with The Movement. Produced by one Sidwell Duda, who helped launch the career of Sello 'Chicco' Twala that same year.

B-side 'Try Your Luck' is a great downtempo bubblegum love song:
"If you wanna try your luck,
baby why don't you try me?
If you are looking for love, don't you look no further.
Don't regret the hard times you've had, now the search is over.
No more lonely nights from now on, now the search is over..."

THE ROSE OF SOWETO - Dingaan Thobela (1991)

2011-10-22T13:13:00.001-07:00

RPM / Golden Ears, GEM 002
Producers:, Julia Mabika & Dane Stevenson
Engineer:    Julia Mabika & Dane Stevenson

Tribute album dedicated to boxer Dingaan Thobela, who won the WBO Lightweight title in 1990, WBA Lightweight in 1993 and WBC Super Middleweight in 2000. In 2006 he made an unsuccessful comeback attempt for the SA light heavyweight title, aged 40.

Musically it's a mediocre mixed bag of bubblegum and eurobeat - no live instruments except for keyboards by Thema Bhogo. Still, some novelty appeal in the rapping (courtesy "Leroy and Vusi") and an 'ice ice baby' chorus on 'Living in the Desert'. Lead vocals by Shabane Shakara. Most of the six tracks were put together by Julie Mabika (who also had a solo hit with 'Be My Wife') and Dane Stevenson - except for 'Dingaan Thobela' (Ernest Schroder, Themba Dlamini and Elijah Mjwana.) and 'The Winner Takes All' (Mabika, Schroder and Dlamini).

DANNY MASHININI - Georgina (1990)

2011-10-22T13:13:00.000-07:00

Steel Street/EMI, SY(0)711
Producer: Tom Vuma
Engineer: Inyanga
Recorded at: De La Rey Studios

Superior synth-pop produced by Tom Vuma, who helped launch the careers of Steve Kekana and Supa Frika. Though lesser known than those two, this album puts Mr Mashinini right up there, with the power and creativity of the first with the groove of the second.

Lyrics on side A cover living conditions ('One For Sorry'- "Don't you know that three's a crowd?"), crime ('ke TSotsi') and the daily grind on 'no money, no survival':
"I'm working underground, for my family,
ngisebenza emgoldini.
I'm digging gold for my family...
I feel so strong, working for my family day and night, never gonna stop working overtime,
when I've done my time, my children will take over, and look after me..."

B-side seems more concerned with romance - best track 'Georgina' has a frantic call and response chorus and compared to the slow funk of 'Huya Huya' and 'Tiku Sauka'.

"Tom Vuma's Miracle Music released Danny Mashinini's self-titled 1988 album as well as his Georgina. Danny whose real surname was Masemane hailed from Zebediela in Limpopo Province. Tom composed, arranged and produced the albums." (Mojapelo 2008:155)

BLACK FIVE - Pula Ea Na (1983)

2011-10-15T01:34:00.000-07:00

Third World / Frontline, TWH5000

A tasty serving of Sotho Soul stew! Hailing from Sebokeng, south of Joburg, the Black Five were a 10-piece group whose vocalists included Cokes Mokhele and the recently departed Daniel "Nana" Tsietsi Motijoane, later known as Coyote and part of Stimela.

Highlights on the pre-bubblegum classic include the smooth funk of 'Selallane' and 'Wa Ikgona', the ecstatic gospel of 'Hallelujah' and the famous title track, written by Tsepo "The Village Pope" Tshola (Sankomota) and later covered by the likes of Hugh Masekela and Mara Louw.

2011-10-15T01:31:00.000-07:00

DAVID KRAMER - Delicious Monster (1982)
Mountain/CCP, MOULP(LP)15
Producers: Paddy Lee Thorp & David Kramer
Engineer: Jerry Barnard
Recorded at: B&S Studios, Cape Town

Kramer was a unique and important figure in South African music. Born and raised in Worcester, he studied at Leeds University in the early 70s and returned to South Africa to begin his music career, which became synonymous with his small-town everyman persona and biting satire. Prolific in the 80s, his debut album Bakgat! was released in 1980 and immediately banned by the SABC for its political content.

Delicious Monster was his third album. Dedicated to "the main brekers of the Boland bop... Retired ducktails whose misguided fantasies of stage and cinema careers have dried and caked like hair cream under the cold reality of office block neon". Songs have Kramer's unique corny yet cutting take on life in South Africa, with titles like 'Suburban Dream', 'White Cortina', 'Hekke van Paradise' (gates of paradise) and 'Barman (Turn up the News)' hinting at this. 'Cowboy' carries some kwela influences before Mango Groove hit the scene. DK wrote all the tracks, except for 'Oh Carol', a Neil Sedaka cover sung in an over-the-top SA accent.

Other albums include Kwaai (1984) and Baboondogs in 1986, the same year he turned to theatre with District Six with the late Taliep Peterson. Theatre would take up most of his energy in the next decade, including hits like Kat and the Kings (1995) and Ghoema (2005). His most significant recent project was Karoo Kitaar Blues (2002), which saw him travel the Karoo to assemble a cast of unique musicians.

So endearing was the character he created that he was contracted in 1983 to appear in ads for the Volkswagen Kombi, which made him even more famous than his music or theatre work.

"The great David Kramer, who is one of the earliest leaders of the Alternative Afrikaans music trend, had hits like 'Die Royal Hotel' and 'A Matchbox Full of Diamonds'. He inspired a whole new generation of Afrikaner musicians like Koos Kombuis and the late Johannes Kerkorrel...This movement agitated for changes in South Africa using the Afrikaans language as a medium." (Mojapelo 2008:70)

2011-10-15T01:28:00.000-07:00

MONTY - Good Vibes (1985)
Right Track/RPM, RTS 631-12
Producer: Mac Mathunjwa
Engineer: Sam Wingate

Feel-good maxi single by one Monty Bogatsu, who played a large part in forming the SA Blind Musicians Association. Lyrics were idealistic to say the least:
"Everybody in the street, is moving to the beat,
Good vibrations, right across the nation,
Good vibrations, there's a big celebration!"

B-Side 'I'll Never Leave You Alone' slows the synths down to soppy for a dull love song.

2011-10-15T01:25:00.000-07:00

SABELA - Sikiza (1988)
Teal Trutone, KVL 5064
Producers: Ian Osrin & Jabu Sibumbe

Tight, funky, intelligent local grooves similar to Jika, Zasha, Kumasi and Stimela. Best tracks 'Idolofiya', 'My Brother (Mfowethu)' and 'Africa' feature smooth synths and accordian vibes.

Sabela ("with confidence") were:
Dudely "Tops" Bouwer - guitar / vocals
Lefa Matsotso - keyboards
John "Senae" - keyboards
Tsia Matlebe - lead vocals
Joseph "Maputo" Khoza - guitar

Also featuring Mzwandile David (accordian), Tsietsie Mafabatho (Hammond) and guitarist Skipper Shabalala (of Zasha). Produced by Stimela's Jabu Sibumbe and Ian Osrin.- "With a team like that I bet you cannot you wrong ... Much hard work, long hours and the will to be strong will bring the rewards". Liner notes also give "Thanks to the Khomari Borthers - Papie and Rasie for bringing us together after six hard years of loneliness and endless dreaming about the music industry."

2011-10-15T01:22:00.000-07:00

VA - Dinaledi: The Power in the Music vol 3 (1986)
Dinaledi, DIN3
Compiled by Patrick Meyer

Great compilation album of alternative takes of some of the biggest early bubblegum hits, credited to "The Sugarboys".

Side A:
1. Ikati pt.2 - Condry Ziqubu
2. No! No! Senor pt.2 - Brenda & the Big Dudes
3. Move Over pt.2 - Chicco

Side B:
1. O Nketsang pt.2 - Rex Rabanye
2. Another Lover pt.2 - Om Alec Khaoli
3. Brikha Bhova pt.2 - Zasha
4. (All I need is here) In Africa - PJ Powers (Hotline)/Steve Kekana

STIMELA - Shadows, Fear and Pain (1985)

2011-10-07T11:58:00.000-07:00

Gallo, HUC 40089
Producers: Ray Phiri & David Segal
Engineer: David Segal
Recorded at: Ovation (mixed at RPM)

The magic of Stimela is hard to define - a fusion of local, jazz and funk influences, they managed to craft a modern South African sound that continues to influence SA musicians, yet one that was completely removed from the catchy, "disposable" exuberance of bubblegum. Never in a rush, yet always with a sense of purpose and direction - like the steam train after which they took their name.

This was their third album, featuring the "People's Band" five key members: Jabu Sibumbe (bass), Isaac Mtshali (drums), Charlie Ndlovu (synths), Lloyd Lelosa (keyboards) and Ray Phiri (vocals and guitar). It followed their debut Fire, Passion and Ecstasy and Look, Listen and Decide. Later albums include Khululani, Siyaya, Don't Ask Why, The Unfinished Story, and their recent comeback album, the Sama-winning A Lifetime, featuring a revamped lineup.

'Come to Me (Zwakala)' and 'Highland Drifter' remain firm favourites today. The latter was first written and recorded by Stimela's predecessors, The Cannibals, and was inspired by Ray's childhood memories. "In 1956 the residents of the Crocodile Valley Citrus Estate fled into the mountains fearing for their lives during the women 'dompas' resistance... It was against this background that young Ray felt like a 'highland drifter...mountains are my home." (Mojapelo 2008:137). Check out this live performance of the song from a few years back, featuring the recently departed Nana "Coyote" Motijoane on backing vocals ...

Though not so well-remembered today, the other three songs on this album - the title track, 'Love Will Find a Way' and 'Follow Your Heart (Sea of Love)' - also capture this iconic Mzansi band at their very best.

2011-10-07T11:54:00.000-07:00

JAMBO - Bad Friend (1990)
Cool Spot/EMI, SPOT(V)007
Producer: Mally Watson (exec: Ken Haycock)
Engineer: Mally Watson
Composoers: Sipho J Mdletshe & Mandla Nongena
Recorded at: Cool Spot Studios

From their roots in the band Izindlovu, Jambo emerged as arguably the biggest selling reggae act in SA after Lucky Dube, with powerful, uplifting vocals, easy skanking and smooth synths.

Their other albums included Prodigal Son (1988), Calling All Children (1991), Give Us Power (1992) and No One (1996). Bad Friend featured lead vocalist Sipho Mdletshe aka Sipho Jonson. He later went solo and released the album Unborn Child, using the name Sipho Johnson Jambo. (Mojapelo 2008:162)

Highlights include 'No Man Kill Another Man' - a call to end the violence erupting in KZN and around Joburg between the IFP and ANC ahead of the dawn of democracy in '94.

Other tracks are on a more positive note, with gospel-tinged messages of hope like 'Jahovia', 'Don't Cry', and 'Shine on Brighter'.

2011-10-07T11:51:00.000-07:00

O'YABA - Caught Up (1991)
Gallo (GMP), HUL40245
Producer: West Nkosi
Engineers: John Lindemann & Alan Cameron
Composers: Tshidiso Fako & Oupa Mokhwena
Recorded at: The Audio Lab (mixed at Bop Studios by Dave Segal)

O'yaba were an eight-piece act fronted by Tshidiso Alexis Faku, who shared songwriting credits with Oupa Mokoena. Produced by the late great West Nkosi (Mahlathini & the Mahotella Queens), O'yaba was a key band in forging Mzansi's unique reggae sounds, influenced by Jamaican roots but not derivative, and made some inroads overseas.

Highlights of this album include 'Mayibuye' (let it return), 'Tsie' and 'Thube'.

Caught Up was the follow up to Tomorrow Nation (1990), and preceded One Foundation (1993), Unhinged (1996), Crazy Love (1998) and the compilation The Game Is Over. (Mojapelo 2008:163)

2011-10-07T11:49:00.000-07:00

LITTLE LENNY - Don't Play With Love / Baby Dance (1985)
David Gresham, DGX391
Producers: Allan Goldswain & Julian Laxton
Arranger: Richard Siluma

Not to be confused to Jamaican dancehall DJ from the same era, Mncedisi "Little Lenny" Mkhize enjoyed short-lived success in the mid-80s. He wrote both songs on this maxi single, arranged by Richard Siluma, who helped launch the career of his cousin, Lucky Dube.

'Dont play with love' is classy synth-pop with a gospel message:
"God created me and you...
It's up to us to build it up...
If we love one another,
God will take good care of us"

B-side 'Baby Dance' is a rare example of bubblegum with scratching samples. It was co-written by Lloyd Lelosa from Stimela and another forgotten man, Sipho Kheswa.

Check out this 2009 BBC news report on Lenny as he reminisces about the old days as a hippie in the historic PE township of New Brighton and his present-day struggles in Joe Slovo kasi - sadly an all too common story for yesterday's one hit wonders.

2011-10-07T11:47:00.000-07:00

CASINO - Gambling (1987)
MFM/Teal/Gallo, FML1018
Producers: Bones Brettell, Bernie Millar & Godfrey Nzuza

Casino were another big-selling bubblegum act out of the MFM stable. Besides releasing albums like Gambing and Number T (1988), they were the backing band of the hugely popular Mr Chacklas and Zone 3. Produced by Godfrey Nzuza, who also fronted the group, and synth fiend Bones Brettell of Hotline.

Casino were:
Mtiti Masuku - keyboards
Bongani Nkwanyana - bass & vocals
Wake Mahlobo - drums & vocals
Godfrey Nzuza - vocals
Themba Mtshali - guitar
Sipho Nxumalo - vocals & drums
Sipho Dennis - vocals
Mdu Kheswa - keyboards
Gundani Ngcobo - Guitar

Despite having five singers, it's the trademark MFM synths that take centre stage on all six tracks - all examples of bubblegum at its very best, none more so than 'Kujiza Kumoja' and 'Jamming in the Sunshine'...

"We are jamming in the sunshine,
We gonna have a good time,
We gonna have some fun time!"

2011-10-01T01:35:00.000-07:00

THEMBI MTSHALI - Love is a Flower (Lufana Nembali) (1986)
Quavers/Soltone, QUAL(E)001
Producers:Tony Rudner, Vusi Khumalo & Ferdi Brendgen
Executive producer: Steven Itzikowitz
Engineer: Ferdi Brendgen
Recorded at: Universal Studio

Another Afrosynth favourite, the four tracks on this disc all have something to offer - mostly red-hot synths sound offset by Thembi's seering vocals - and some hilarious talking interludes from an anonymous husky voiced dude on 'I'm Leavin'' and 'Who's Right Who's Wrong', Best track 'I Don't Wanna leave Africa' reflects this well-travelled starlet's mixed feelings for being away from SA at a time when few others had the means to do so.

"I don't wanna leave Africa, I wanna live under the sun.
I don't wanna leave africa, it's the land where I was born.
I see you in the morning, I see you in the night,
I see you walking down the street,
Why do I carry a knife? My life!"

Our main man Max (Mojapelo 2008: 90-91) elaborates on Miss Thembi Heavygale(!) Mtshali: "Most people know her as an actor of repute both on stage and screen. She has a powerful voice too! As an actor, the KwaMashu-born and Malhabathini-raised star cut her teeth performing with the Nokwe family at the YMCA in Durban ... Later she toured the world with Ipi Tombi, which took her to cities like Lagos, New York and Las Vegas, where it ran for years. Thembi's early music career took her to many parts of the world, including the USA and the Caribbean Islands with stars like Hugh Masekela, Eric Gale and Grover Washington between 1977 and 1979. She was a member of the Freedom Singers raising funds for the struggle."

Thembi also worked and toured with the likes of Miriam Makeba, Abdullah Ibrahim and Mbongeni Ngema. In 1984 she fronted the Sipho Gumede-led five-member group, Peace. "After her role in the successful SABC comedy Sgudi'Snaysi, she released an album of the same title in 1987 featuring the blowing skills of hornmen Scorpion Madondo and the late Mandla Masuku. By 1990 she was at Tusk where she released her star-studded album Today Tomorrow featuring Jabu Nkosi, Moses Ngwenya (Soul Brothers), Bakhiti Khumalo, Khaya Mahlangu, Themba Mkhize, Condry Siqubu, Selwyn Shandel and the late Teaspoon Ndelu."(Mojapelo 90-91)

From 1995 to 1998 she toured the UK and the US with the musical Marabi. Today she continues to feature in films and on TV and stage. Now known as Thembi Mtshali-Jones, check out her website here.

2011-10-01T01:23:00.000-07:00

MANGO GROOVE - Mango Groove (1989)
Tusk, TUSC3
Producer: Chris Birkett, John Leyden & Alan Lazar
Engineers: Sam Wingate & Chris Birkett
Recorded at: Audio Lab.

Although forming in Jozi in 1983, 1989's self-titled released was in fact this multi-racial big band's first full album. It includes older singles like 'Two Hearts' (1986) and 'Move Up' (1987), as well as massive hits like 'Dance Sum More', 'Hellfire' and 'Special Star'. Instead of dabbling in contemporary bubblegum sounds, they introduced a new generation to the kwela and marabi vibes of the 1950s - far more Sophiatown than Soweto.

The line-up included "Big Voice" Jack Lerole [pennywhistle], John Leyden [bass], Banza Kgasoane [trumpet], Mickey Vilakazi [trombone], Sipho Bhengu [tenor sax], George Lewis [guitar] and England-born lead singer, Claire Johnston.

"Their music was a blend of the South African jazz of the forties and fifties and contemporary pop. Their trombone player, Mickey Vilakazi, who was from the era of Spokes Mashiane, composed their hit 'Hellfire', but unfortunately in June 1988 passed away. The line-up was later joined by Mduduzi Magwaza [pennywhistle/alto sax] and Alan Lazar [keyboards].

"Mango Groove drew record crowds to music venues both locally and internationally... By 1993 they had already sold over a quarter of a million albums in South Africa. Towards the 1994 elections they released an album aptly titled Another Country (1993). In recording the historic album some of SA's top musicians were roped in: Condry Ziqubu, Nico Carstens, Khaya Mahlangu, Mauritz Lots, Andrew Tracey and the late Sipho Gumede." (Mojapelo 2008:127)

Other albums included Hometalk (1990) and Eat A Mango (1995). Read a review of their recent comeback album, Bang the Drum (2009) here.

2011-10-01T01:20:00.000-07:00

VIBE TALK - Cheeky Lady (1985)
Minc Music/Sound Rays/EMI, 12XBOW(C)164
Producer: Banzi Khubeka
Engineer: John Galanakis
Recorded at: Double A Studios

You can't judge a book by its cover, but you can by the EVIL synths that drive this unknown disco-funk classic. Vibe Talk was made up of keyboard wizard Vuka (Vukuzenzele) Mbele, John Galanakis and Banzi Khubeka. Liner notes pay thanks to Dr Ray "Fun Fun" Bhele of Durban, Jay of Lamontville and Ingoapele "The Poet" Madingoane of Diepkloof "for their contributions in the development of the ideas portrayed on this record", while "the concept on the record Feel the Heat is dedicated to all the convenors of the Peace and Unity talks" - a sign that the curtain was slowly drawing on nationalist rule.

"I can see in the way that she moves
I can tell by the answers she gives
She's my cheeky lady...
She makes me angry,
sometimes she makes me glad.
Sometimes she's so good,
but sometimes she's so bad!"

B-side 'Feel the Heat' is on a similar tip, with more than a hint of Eddy Grant circa Killer on the Rampage (1982).

2011-10-01T01:19:00.000-07:00

TEASPOON - New Horizons (1988)
Gallo GRC, HUL40162
Producer: Ray Phiri
Engineers: Dave Segal & Sam Wingate
Recorded at: Audio Lab, JHB

Saxman Teaspon Ndelu takes the lead on this six-track album of classy pop with a jazzy twist. Titles include 'Bossanova Funkcation', 'Rumble Starter', 'Hard Times' and 'Waya waya all the way down'.

Here was another project backed by the mighty Stimela, featuring the likes of Jabu Sibumbe (bass), Isaac Mtshali (drums), Lloyd Lelosa, Thapelo Khomo (piano), Charlie Ndlovu (organ), Ntokozo Zungu (guitars), as well as ex-Hotline axeman Alistair Coakley, with arrangements by Victor Ntoni and overseen by Ray "Chikapa" Phiri, who penned these liner notes in his own inimitable style:

"The main tea in the spoon project is all about yesterday, today and tomorrow. Personally I knew Teaspoon way back 1967 when tea drinking was an art, the brew has mellowed in that I find myself lost for words. Talking about enjoying something so sweet and hot is not an easy subject . . ."

Dedicated to "the Greats who carried the torch - Bra Zakes, Kiepie, Spokes, Henry, Barney, Carly, Nelson, Ceryl, Victor, Ndlazulwanle, Sheptone and Ray Nkwe, and all the others ho came and left before our time... We will keep the home fire burning. This one is for you ... Let's have a musical conversation."

2011-10-01T01:18:00.000-07:00

QUINTON - No More Lies (1989)
Hit City, HC (V) 907
Producers: Blondie Makhene & Quinton
Engineers: Quinton & Blondie Makhene
Programmed by Quinton

Hot 8-track album by Quinton Madlala, put together by Blondie Makhene with backing from his African Youth Band. Follow-up to Quinton's 1986 album Heartbreaker. Quinton and Blondie also worked together on acts like Platform 1 and Pure Gold.

This is slick bubblegum stuff full of interesting riffs and lyrics, but free of political statements. 'Dance' just about sums it up:
"Life is much too short, don't you sit and worry - Dance!"

'Reggae mania' talks about the growing popularity of reggae ekasi...
"I went down to the Cape on a musical expedition,
Every place I went to, people seemed to be crazy,
Talk about a party, talk about a nightclub - it was reggae music.
I wish you were there!"

Best track 'Tlisa Dikhomo' has synths, beats and vocals flowing together for a super-catchy hit with a universal message:
"Hey boy, what do you want around my sister?
If I see you again I'm going to break your neck!
Every time I see you with her, I can tell she will be sleeping out.
If I see you with her, I'm going to break your neck!"

2011-09-29T13:40:00.000-07:00

JEFFREY OSBORNE - Soweto (1986)
A&M Records, AMY334
Producer: Jeffrey Osborne

Days before the tenth anniversary of June 16 1976, a State of Emergency was called. It was also the year that this American R&B singer urged the world to “Send a message to Soweto, send a message now!”:

“Today the school was hit by teargas,
And I still hear the sound of breaking glass.
The children...How can this go on?
Soweto – this is still my home.
Send a message to your brothers in Soweto:
You are not alone!"

From the album Emotional. B-Side 'Plane Love' comes from the 1984 album Stay With Me Tonight, produced by George Duke.

2011-09-28T07:07:00.000-07:00

AFROSYNTH 2:

Chimurenga2Uhuru: Music of the Revolution

1. “Liberator” – Amandla/ANC
2. “Vukani Mawethu” – Amandla/ANC
3. “Mama Ndiyalila” – Sounds Of Soweto
4. “Siyalila” – Amandla/ANC
5. “See This Head” – Sounds Of Soweto
6. “Eemie Ninalia” – Longfellow Martin Magarula
7. “Mugabe Mutungamiri” – ZANU-PF
8. “High Time” – Glen Gibs
9. “Potential Aggressor” – Kalahari Surfers
10. “The Boss Meets Pieter Botha” – Maz Gazolin Et Ses Pumps
11. “Township Beat” – Kalahari Surfers
12. “Change Is Pain” - Mzwakhe Mbuli
13. “Kugarira Nyika Yavo” - ZANU-PF
14. “Destroy Apartheid” - Deezo & The Bananabeats
15. “Kulonyaka” – Amandla/ANC
16. “Masseve Moçambique” - Orchestra Marrabenta Star de Moçambique
17. “Katawe” - Lebombo
18. “Ruzhinji Rwe Afrika” - ZANU-PF
19. “Let Me Tel You White People Of South Africa” – Longfellow Martin Magarula
20. “Thina Sizwe” – Sounds Of Soweto
21. “Gona Rechimunrenga Rapedze Bunu” - ZANU-PF
22. “Pray For Mandela, Zimbabwe” - Lovemore Majaivana & The Jobs Combination
23. “Africa” – Amandla/ANC

FREE DOWNLOAD!

2011-09-17T02:13:00.000-07:00

KUMASI - I Know You Feel It (1983)
Kongas/Media Sounds/Wea, KSC1001

Six-track album of sophisticated Afro-funk. Kumasi was led by one Paul Ndlovu later of Stimela side-project Street Kids. Kumasi are the missing link between the Cannibals and Stimela. Although no names are provided anywhere on the album, few others possessed what the members of Stimela were capable of.

Way ahead of its time, this is an Afrosynth classic. Every track is a winner - from the deep funk of 'I Know You Feel It', 'Dali Wam' (My Darling) and 'She's a Queen' and the Fela-fuelled 'Anomokoliwa' to the chilled out 'Dreamin' and 'What's on Your Mind'.

Internationally, put it right up there with the likes of Cymande and Mandrill.

2011-09-17T02:12:00.000-07:00

BONES DELIGHT - Guguletu to Soweto (1985)
MFM/Teal, XFL211
Producers: Alistair Coakley & Richard Mitchell
Engineer: Richard Mitchell
Recorded at: Battery (London) Mobile Studio

Double A maxi featuring catchy but typically cheesy bubblegum fare. Nothing to write home about. Produced by Alistair Coakley of Hotline.

2011-09-17T02:09:00.000-07:00

WILLIAM MTHETHWA - Madlozi (1989)
Midnight Beat / Teal Trutone, MBT 214
Producers: William 'Mr Everything' Mthethwa & Pat Shange
Recorded at: Sweet 16 Studio

William Mthethwa was a cut above most of his contemporaries. Jam-packed with hits, Madlozi shows 'Mr Everything' at his best - with powerful vocals and sizzling synths.

William Mthethwa and the Young Five's breakthrough hit was 'Celebration', "a song that celebrated the Christmas of 1983 and of many years thereafter. Their albums include Wola Ma-Gents . . . Later William embarked on a successful solo career, though he would still release some albums like Our Love is Over (Awusuke) with his band. His self-written hot dance maxi single titled 'Nightclubbing' (Jive Wire, 1985) was produced/arranged by Peter Moticoe and engineered by Fernando Perdigao. In my opinion, William was quite ahead of his times with this single because even today it still sets the dance floor ablaze.

"His many hits include 'Botsotsi' and 'O Jola Le Clever'. One release that drew him into sharp spotlight was his controversial album Setjwetla, which was accompanied by dancing in the nude. It provoked so much debate in the national media, to which he responded by saying the song was inspired by a Basotho cultural dance.

"William later earned himself the title 'Mr Everything' for his versatility that saw him release albums in various genres" - including reggae, gospel, political praise songs and soccer supporter's albums." (Mojapelo 2008: 46).

THE ANGELS - Mr No Problem (1987)

2011-09-03T08:55:00.000-07:00

Right Track/RPM, RTL9022
Producer: Mac Mathunjwa
Engineer: Mark Holland
Mixed by: Richard Mitchell
Recorded at: RPM Studios

Typical Brenda-inspired bubblegum only a small cut about the rest, thanks in part to production by long-time legend Mac Mathunjwa and mixing by the prolific "Mr Magic" Richard Mitchell, who had a hand in many a bubblegum classic. Escapist lyrics with titles like 'No More Sweet Love', 'He's My Man' and the slow jam 'Thatha Ixesha' (take your Time). The title track offers silky smooth synths and similarly silly lyrics:

"Do you know him, man about town?
His name is known as Mr No Problem
He plays you like a doll,
He thinks you are his playground.
Money can't buy you everything,
He's a problem . . .
What you want to be, Mr No Problem?
Your time will come . . .
He'll see you when you're down,
He's there with a smile, facing all your problems"

2011-09-03T08:54:00.001-07:00

INKATHA YOUTH BAND - Theleweni (1991)
Gaza/Sounds of Soweto/EMI, GAZA(K)006
Producer: J. Ngubane
Composers: "The People of Africa"
Recorded at: The Note Factory

Rudimentary and repetitive synthesizers match the minimalist cover art. Best tracks are the uptempo 'Usemandlani', 'Sonqoba ngaye' (we will overcome it) and the oddball rendition of the unofficial national anthem 'Shosholoza'. Other titles include 'Siyaphamibili' (we're moving forward) and 'Inkululeko' (freedom).

Louise Meintjies (in Sound of Africa!, 2003) writes: "In addition to opening a space for wedding-song music on the youth market, Blondie and the African Youth Band's success also spawned other mzabalazo (protest song) releases after the unbanning of the organizations of the liberation movement and the release of Mandela in 1990. The post-1990 timing of these releases made overt alignments to political platforms and the addition of lyrics possible - for example, Amaqabane 1990 (ANC), Mayibuye 1990 (PAC) and Inkatha Youth Band 1991 (IFP)."

2011-09-03T08:54:00.000-07:00

ABAFANA BOTHANDO - Mahosha Nabafana Bothando (1985)
FEN Record, FL45
Producer: Sipho Kheswa

Bare-bones maskandi with wailing vocals and bass-heavy grooves that laid the foundations for the likes of the mighty Madlala Brothers, but favours traditional instrumentation (guitar, bass, accordian) over synths. Sweet cover pic taken on the streets of downtown Jozi. Produced by the forgotten man Sipho Kheswa, who started out with Richard Siluma and one Lucky Dube in a band called the Love Brothers.

The name Abafana Bothando can be translated to something similar - "Boys of Love" or "Lover Boys". This group is unlikely to be related to the contemporary maskandi act of the same name, given that this album came out over 25 years ago. This is the real makhoya!

WOZANI - Dancing in the Moonlight (1990)

2011-08-20T00:47:00.001-07:00

RPM, RPM7135
Producers: George van Dyk, Mike Stobbie & Graham Clifford
Engineers: Lee Short, Steve Lee & Rob Price
Recorded at: RPM Studios, Joburg (Mixed at Studio 2, Leeds, UK)

After crossover giants and kasi favourites Hotline split up, bassist George van Dyk tried to do something similar with Wozani. Now out of the shadow of PJ Powers, maybe the biggest surprise was his powerful vocals, which take centre stage throughout. Unfortunately it hasn't aged well at all and comes across as stale 80s rock with only superficial African touches - like a second-rate Savuka - most noticeable on tracks like 'Township Jive' - check out this unofficial video with some vintage Mzansi dance moves . . .

Wozani also included axeman Graham Clifford, Abe Sibiya and Bheki Gumbi, who all played on the similar but superior crossover act Zia. Keyboards "featuring amongst other things, Moog Taurus II on bass pedals".

Hardly a classic of the era, but still a valuable relic of a time when South Africa stood poised on the cusp of a brave new world, as evident in titles like 'Working for Changes' and 'Changes are Coming'.

Best track 'Lonely People' drops the local flavour in favour of catchy hooks and subtle synths ala American acts from the same era like Richard Marx, while the acoustic 'Feeling of Love' loses the studio shtick and lets George's vocals really shine.

2011-08-20T00:47:00.000-07:00

XILEMBE - Maxango (1990)
Tops/Cool Spot/EMI, TOPS(V)4
Producer: Mally Watson (exec: Ken Haycock)
Engineer: Richard Chauke
Recorded at: Cool Spot

Shangaan pop duo made up of Richard Chauke - also of Venus - and Tsidi Mokwena. "Matshidiso Mokoena became known as a member of a trio known as Xilembe. In 1989 they released an album titled Ncilo Ncilo on Cool Spot's Tops label. When Xilembe split in 1991, she went solo using the name Tshidi." (Mojapelo 2008:112)

As one would expect from Cool Spot, the production is top notch. Best tracks include 'U Tsandzekile' and 'Mikateko'. Fun cover getup with slick Rick's torn denim shorts and moon bag, but surely it could've done without the phonetic translations. Chauke's hairdo is by one Charles "Scissors" Le Coiffure.

2011-08-20T00:45:00.000-07:00

SUNSET - Sunset (1986)
Dream/REAMUSIC/EMI, RML(O)2002
Producer: Danny Antill
Engineer: Fernando Perdigao

Fun if unremarkable 4-track disco EP with faux-American lyrics, call and response choruses, Japanese drummers and brain-melting synths - all designed to turn your frown upside down.

'I'm a Poor Man' has a catchy synth arpeggio intro that pulls you right in, with lyrics like:
"It's a pity I ain't got no money, I should take you on a holiday.
It's a pity I ain't got no money, I should take you out to Sun City.
I've got no money, I'm a poor man."

'Don't Touch' is on a similar tip:
"Baby she's mine . . . I'm a winner!
I spent a lotta money on her, and I ain't gonna lose her.
She belongs to me, she's my property, she's my baby..."

Similarly corny but catchy vibes on other tracks 'Boog'It' and 'Super Love'.

2011-08-20T00:44:00.000-07:00

SUNSET - She Looks Good (1984)
Smash/GRC, XMAS842
Producers: John Galanakis/Sunset
Recorded by: Double A Studio

12" single featuring the Hot Soul Singers. 'She Looks Good' borrows from Harari's 1980 hit 'Party' to offer some cheesy disco-pop that bridges the gap between the soul era of the late 70s and the bubblegum days that were about to take over.

Some might argue that 16 minutes of the same track is a bit much, but that's how Sunset rolls...

AFROSYNTH IX: GET ON IT

2011-08-03T10:06:00.000-07:00

1. 'Yini Sixabane Njalo' - Abakhwenyana
From the album 20/20 (CCP, 1988)
2. 'Hold on to Love' - Al Etto
From Party Night (Reaction/Priority Records, 1984)
3. 'Gloria' - Joshiba
From Vananga (Teal Trutone, 1990)
4. 'Mndazana' - D'Rich
From Folomane (Cool Spot, 1989)
5. 'Soul Train' - Venus
From Soul Train (Cool Spot, 1990)
6. 'I'm Falling in Love' - Hot Shot
From Let the Music Play/I'm Falling in Love (12" maxi) (MFM, 1986)
7. 'Heartbeat' - Monwa and Sun
From Tigers Don't Cry (Cool Spot, 1989)
8. 'Hey Lightie' -Winnie
From Winnie (CCP, 1988)
9. 'Majita' - Makwerhu
From Mahlalela (REAMUSIC, 1989)
10. 'Hurry Up' - MM Deluxe
From Where Were You? (Cool Spot, 1989)
11. 'Nkani' - Sammy
From Give Me My Wages (Teal Trutone, 1989)
12. 'Let's Get On It' - SupaFrika
From Love Satisfaction (CCP. 1984)
13. 'We Gonna Win (amakhosi)' (commentary version) - The Winners (ft Lionel Peterson)
From We Gonna Win (CCP, 1986)
14. 'Monica' - Mabunda
From Pule (Decibel, 1987)
15. 'Hayi Ngodlame' - Zasha
From Hayi Ngodlame (Teal Trutone, 1989)
16. 'Donna Summer' - Buthelezi
From Turn Around Baby (Teal Trutone, 1988)

LISTEN HERE - thanks Cuss Monthly

FREE DOWNLOAD!

SAMMY - Give Me My Wages (1989)

2011-07-09T11:40:00.000-07:00

Teal Trutone, KVL5087
Producer: Dangani Sikhosana
Composer: Sam Maseko

Vintage afro-synth in the mould of other growlers like Sox and early Chicco. Songs pay tribute to Polla Park in Thokoza, east of Joburg, and cover issues facing people there still - addressing politics in Nkululeko (freedom) and Stop the Fight, and money on Give Me My Wages ("Hey Mr Foreman, give me my wages, I need it." ) and Don't Throw It Away ("Some people don't have something to eat tonight..."). Others include Nkani (stubbornness) and the gospel-reggae of Thank You Father.

2011-07-09T11:39:00.000-07:00

THE WINNERS - We Gonna Win (1986)
CCP, 12CCP(P)4050066
Producer/Composer: Selwyn Shandel
Engineer: Neville Holmes
Recorded at: EMI Studios

One of many soccer team songs released to drum up $upport from fans. This maxi contains three versions of the theme song We Gonna Win (amakhosi), with hired vocals from longtime soulman Lionel Peterson and backing by the likes of Blondie Makhene and Mara Louw. Also with some of the team's changeroom warm-up chants. Crowd recorded live at Ellis Park, Zulu commentary by Koos Radebe, Sotho by Moses Parkies. These days Chiefs' marketing has diversified to include life insurance and deodorant.

2011-07-09T11:37:00.001-07:00

D'RICH - Folomane (1989)
Cool Spot, TOP (V)2
Producer: Mally Watson
Executive Producer: Ken Haycock
Composer: JT Mbele

Catchy Ndebele disco from same label as Monwa & Sun. Slick synths and programming, frenetic vocals ala Splash and the Dalom Kids. Best tracks are Folomane and Mndazana.

WINNIE - Winnie (1988)

2011-06-18T03:19:00.000-07:00

CCP, FLY(V)4063521
Producer: Mally Watson
Recorded at: Powerhouse Studios

Teen sensation Winnie Khumalo emerged at the end of the 80s, ready to jump on the bubblegum bandwagon when Brenda Fassie seemed to be falling off. This was her debut release, on the same Family imprint as Brenda began with the Big Dudes, produced by the same Mally Watson. It contains six tracks, all in English, geared to a young audience. Winnie's voice is so similar to Brenda's, it's hard for many to tell the difference. Best tracks include "Hey Lightie", "Pop Out" and "Don't Play Rough".

"My mind went back to the year 1988, when the small girl released her self-titled debut album featuring the hit 'Hey Lightie', written by Anthony Mthembu, recorded and produced by Mally Watson on CCP's Family label. By 1991 her producer was Sello "Chicco" Twala on her Tshinatshina album engineered by Marvin Moses and released on CCP's Flame label. One of her best songs is her cover version of the old smahs hit 'Dlamini'."(Mojapelo, 2008:108).

20-odd years and 80kg later, Winnie Khumalo is still a popular live peformer, solo and backing others. She still belts out covers of Brenda's "Promises", and even starred as MaBrr in a recent stage production.

Here she is performing recently at the newly renovated

M1 studios at the SABC in Joburg. (copyright Afrosynth)

2011-06-18T03:16:00.001-07:00

JOSHIBA - Vananga (1990)
Teal Trutone, KVL5095
Producers: Jan Smit, Gary Finch, Peter Maringa
Engineer: Jan Smit
Recorded at: TAKK Studios

Shangaan disco maxi for fans of The Dalom Kids. Five tracks in xiTsonga and English, and a sweet club mix of the title track.

Best track 'Gloria' opens with funky synths and bad-ass backing vocals: "Beg for apology!", before Joshiba pours his heart out:
"Gloria, where are you?
I can't forget my lover,
She was trying to pull me out of troubles.
Money, it can't buy love!"

2011-06-18T03:16:00.000-07:00

MABUNDA - Pule (1987)

Decibel, DCK(P)84
Producer: Jerry Mhlanga
Engineer: Keith Forsyth/Doug van der Merwe
Composed b: M. Mthembu/E Shelembe

Four-track disco-funk LP with odd soccer-themed cover. 'Monica' samples New Edition's 'Candy Girl (1983). The title of the instrumental 'Life is Bad' speaks for itself. What it lacks in originality, it more than makes up for with smooth synths. With each track weighing in at over 5 minutes, there's no rush to ever get off the groove...

'Mehlomadala' is a call to be united with a long-lost friend..
"I've been missing you my friend.
we were good friends,
we shared everything,
when we were still little boys.
we must be together,
long, long, long time no see you."

2011-06-18T03:15:00.000-07:00

ZASHA - Hayi Ngodlame (1989)
Teal Trutone, SUF2
Producer: Thapelo Khomo
Engineer: Ian Osrin

Funky, sophisticated Afro-pop where real musicians trump programmed beats. Fronted by singer Steven Mthimkulu and guitarist Skipper Shabalala, who recently made a comeback as a solo act. Produced by Thapelo Khomo, who also worked with acts like Kamazu, Pappa, Jabu Khanyile (Bayete) and more recently Simphiwe Dana. Dedicated to "our late brother 'Boxie' Lekalakala, who passed away in 1987". Hair by Superkurl, 68 Simmonds St, Joburg!

In a nod to their infuences, the title track features Coyote (v) and Jabu Sibumbe (bass) from Stimela, and Jimmy Mngwandi from Image. "Every brother is our brother, every sister is our sister". Highlights on this 6-track album include Stop That Game and A Letter To My Family. Other Zasha albums include Love Target (1986), I'll Be There For You (1991), Stop That Game (1992) and Save The World (1994).

BUTHELEZI - Turn Around Baby (1988)

2011-05-21T03:18:00.001-07:00

Teal Trutone, NMB1
Producer: Nhlanhla Buthelezi
Engineer: Dannie Stevenson
Recorded at: Blue Tree

Weird and wonderful synthesizer album from one Nhlanhla Buthelezi from Mashayimpukane in Newcastle, Kwazulu-Natal. It's downtempo disco with gospel and reggae touches. Guitar work by Sagila Khumalo of Steadville, Ladysmith. The six-track album is decidicated to: "Rev. Snicks Luvundo and Vusi Khonlelwayo, young tycoon of Madedeni Township for giving me strength and encouragement, which I needed."

Titles include "Thanks USA for Afrika", "Tenth Year Anniversary Love" and "Donna Summer"...

"What about my application?
What about my application in our heart, Donna Summer?
because you are my angel, of music in my heart.
No matter how far from SA, no matter how far from my land,
I'm still waiting for my reply."

2011-05-21T03:18:00.000-07:00

Check out this video from the Graceland concert in Zim, featuring Ray Phiri, Ladysmith Black Mambazo, Hugh Masekela and Paul Simon...

2011-05-21T03:17:00.000-07:00

MAKWERHU - Mahlalela (1989)
REAMUSIC/EMI, RML(V)2027
Producer: Enoch Nondala
Engineer: Jan Smit
Recorded at: TAKK Studios

Six songs, three languages, four legs? Great cover photo by Tini Martens.

"The eighties saw the mushrooming of "Mapantsula" dance groups both in urban and rural areas...
Makwerhu was a Reamusic artist produced by Enoch Nondala. His 1988 album, Mapansula, engineered by J Smit featured the title track and Bhasobha." (Mojapelo 2008:76).

Nondala also produced reggae outfit Prince and the Buffaloes.

2011-05-21T03:16:00.000-07:00

AL ETTO - Party Night (1984)
Reaction/Priority Records, ANH102
Producers: Sipho 'Hotstix' Mabuse, Al Etto & Mick Williams
Engineer: Mick Williams
Recorded at: The Battery Mobile

Seriously funky 4-track maxi co-written and produced by Sipho "Hotstix" Mabuse - in his prime in '84, the same year 'Burnout' blew up. Best track "Hold on to Love" gives American R&B funk like Kool & the Gang, BB&Q Band or the Rose Brothers a run for their money. "If You Want My Love" is the only song with some local influence, thanks to Mabuse's sax skillz. Backing from The Coast Connection.

Etto wrote the smash hit "I Love You Daddy" for '80s child star Ricardo. He has worked with many of SA's top artists including Yvonne Chaka Chaka, Dr Victor (Taxi) and Chico. He is also known for his work with the Rockets and Groove Station. More recently he has been involved in the Cape Culture Band. In 2004 he dedicated a song to local opposition politician Patricia de Lille on his album Ons is Gatvol (we are fed up).

Al himself would probably have a heart attack if he knew this album was selling for a cool $454 at Popsike. Starting price on local site bidorbuy is R450.